A rural roadside diner becomes the host of a maniacal killing spree – leaving a young waitress to clean up the mess. After hard-headed Nancy fires the staff at her dad’s diner, she decides to cover the last shift of the night by herself. Little does she know, she is far from alone. The day is coming back to haunt her and when things begin to spiral out of control, she must fight for her life over the course of one long night.

A sensational, sentimental, and philosophical horror neo-noir that follows the still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.

When Claire returns from Burkina Faso, she is totally transformed and her girlfriends barely recognize her. Cheryl discovers Martin is cheating on her yet again and for her, this time it’s the last straw: she files for divorce. Anouk, also unhappy with her love life, threatens to develop an eating disorder. Roelien, however, accepts Evert’s wedding proposal. Then, a fatal and thoroughly bizarre accident transports the girlfriends to the snowy mountaintops of Austria…

Amy Bradford, the beautiful small town veterinarian and crime scene investigator, just lost her best friend in a car accident. It seems like the last straw in a series of pain and tragedy that has her questioning her Christian faith and her future. When she learns her friend’s death was actually a murder, she must set aside her grief and find the strength to solve the crime, and thwart a cyber-attack on the secret government facility where her dad works. There’s a handsome detective in town who may be her true love, or the killer.

Zeynep Altin (Naomi Krauss) is at the end of her tether. She’s over-worked and pushed around by her husband, daughter and aging father. Her mother’s death and her funeral, which nearly ends in total disaster, is the last straw for Zeynep – she leaves Munich and escapes to an island in Croatia. In the house her mother bought secretly years ago, and gifted to her in her will, she hopes to find peace, freedom and herself. If only the former owner, Josip, an islander through and through, wasn’t still living on the same property…

Johan has been locked up – wrongly in his opinion – for the murder of his father and little sister. His mother is the only one who can prove his innocence, but he hasn’t been able to contact her for years. When he is transferred within the psychiatric prison to the long-stay department, it’s the last straw. He decides to escape and to go looking for his mother.

Philibert, a robust lad and eldest son of an artichoke farmer, stands out from the other boys in the village. Idealistic and ingenuous, he foresees for himself a glorious future in artichokes and is saving his virginity for an as-yet-unknown woman chosen for him by God. Before he dies, his father tells him that he isn’t his real parent. Philibert’s real father was a gentleman murdered in the most cowardly way by a man from Burgundy who is recognisable by a rose-shaped strawberry birthmark on his neck. With a pouch full of ideals and artichokes, Philibert leaves his village and gallops towards Burgundy, accompanied by Martin, his rather deceitful manservant. Philibert’s courage, kindness, physical and moral purity will thus be severely tested when faced with the baseness and venality of villains and the temptation of women each more lustful than the last.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.