The film follows Allison Forche-Marlow, a beautiful, bright, determined, and organized woman, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.

The deep northern forests of Michigan’s Upper Peninsula are home to small villages of Finnish Americans—communities carved out from the forest where Finnish language, cultural worldview, and traditional arts remain crucial to social life more than a century after immigration. In this beautiful and rugged north country, the extraordinary, ordinary descendants of Finnish immigrants still eke out modest lives to this day on old farmsteads, working with the resources they have available to them, showing their creativity and ingenuity in simply getting by and making do, and living in ways not dissimilar from their ancestors who migrated three or four generations ago.

Hugo Archibald is a doctor and brings home a wide variety of exotic animal species. The latest animal he brings home is a chimpanzee named Jennie. Dr. Archibald is not home very much, and Andrew feels he does not care about him. And Lea his wife does not want Jennie, and says she makes trouble. But the children take an instant liking to her. Jennie is unique in that she is learning to use and understand sign language. Jennie becomes an important part of Archibald family and Dr. Archibald’s son, Andrew develops a close relationship with her. Jennie loves the things Andrew does, such as baseball and comic books. Jennie is also there for Andrew when he and his father disagree. A doctor Pamela Prentiss starts training with Jennie. She does not agree with the way Jennie is being cared for, and is seen as being rude to the Archibald family. She teaches Jennie sign language in a way that Jennie does not understand, but Lea finds a way she understands.

Imagine leaving everything you have, everyone you know, everyone you love, behind. Having to cross half a continent on foot, atop freight trains, inside truck trailers. Swimming across wild rivers. Crossing borders illegally. Walking across the Arizona desert. Being shot at, robbed and beaten. Raped. Surviving it all. Crossing into the USA, after life in the poorest parts of Central America. Succeeding. Now. In the “promised” land, you don’t belong, legally; or socially. You don’t understand the language. No one knows you arrived, no one knows you exist. Imagine…. being Nobody. Then imagine a bag being shoved over your head. Getting your clothes stripped from you. Getting tossed in a closed room with a dozen others. A loaded gun is pointed at your head. You are forced to call back home and beg for money, a ransom for your life.

Aiyaary is an 2018 Indian Hindi-language Action, Crime and Drama movie written and directed by Neeraj Pandey. It is based on true events of The Adarsh Society Scam, a real life story set on the backgrounds of Indian Army. Two officers (Colonel Abhay Singh and Major Jai Bakshi) with patriotic hearts suddenly have a fallout. The film revolves around their relationship of Mentor and Protege and how one of India’s ex-army officers tried to oust one of the country’s best kept secrets. The mentor, Colonel Abhay Singh has complete faith in the country’s system while protege Major Jai Bakshi thinks differently due to a recent stint in surveillance.

I Don’t Belong Anywhere – Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.