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At the age of 14, Carla is a wild and rebellious teenager. Living in a modest restaurant on the outskirts of a town with her young single mother, she skips school and passes the time with her friend Efraín. When a social worker realizes that Carla is five months pregnant, she is taken to ‘La Maternal’, a center for teenage mothers, to live with other young women like herself. Together with their babies, they will learn to cope with this new adult life for which they had no time to prepare.
Maryam, a Paediatric Registrar, Catherine, a General and Trauma Surgeon, and Helen, a Registrar in Acute Medicine, each attempt to balance their increasingly demanding jobs in post-pandemic frontline medicine with their lives as new mothers.
The U.S. has the highest maternal mortality rate among wealthy countries, and Black women are dying in childbirth at more than double the rate of white women. Midwives – specialists in caring for women during pregnancy, birth and …
After losing her parents, 14-year-old Annabel lives with her fisherman grandfather on an island paradise. She is surrounded by an extended family of loving but quirky neighbors and her best friend – a dolphin named Mitzy. Everything changes when her maternal grandparents arrive with a shifty lawyer to bring her back to New York. It’s up to Annabel and her friends to figure out how to save the day and prove that love conquers all!
Music legend Diana Ross stars with singer Brandy in this 1999 American made-for-television musical drama film. It tells the story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. In its review, Variety wryly noted “the message seems to be that no maternal crisis is so complex that it cannot be mitigated by the performance of a track from one’s latest CD”
With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.
When Kelly’s newborn baby is stolen from the hospital where she works, she teams up with Gloria, also a victim of baby abduction, to get her child back from a black market adoption ring.
Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man’s wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.
Zsófi, a rebellious teenager, lives in a tiny flat with her little sister, Mesi, and her unstable mother, Bea. Zsófi discovers late that she is pregnant and decides to give up her baby through open adoption to an infertile couple. Bea cannot accept her daughter’s decision, but she does not realize that neither Zsófi, nor the circumstances, are suitable to welcome a newborn. Zsófi has always had to behave like a grown-up, working and making sensible decisions, instead of her mother and for her sister. She is still in high school and her only advantage is her table tennis career, for which she works assiduously. She plans the adoption thoroughly with the help of a social worker. Following the birth, she is given six weeks by law to change her mind and ask for her child back. She seems to be able to control her feelings ruthlessly and continue towards the goals she has set. At the same time, her maternal feelings intensify, doubts arise, and she slowly begins to question her decisions.
An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.
My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father… And through those photographs, and with the help from an old camera -my grandfather’s inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory… that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.
Two contrasting visions of life: on the one hand, the “rock” and adventurous of the brave Livia, cellist without maternal instinct; on the other hand, the reassuring routine of his sister Tina, shy urban vigilant with an ardent desire for maternity.
This retelling of Charles Dickens’s Oliver Twist may be populated by drug pushers, pimps and prostitutes, but the book’s classic themes remain the same. Caught under the thumb of a lecherous brothel owner, 10-year-old Lee befriends an aspiring musician named Angel who helps him escape his servitude and sends a maternal drag queen to vanquish the boy’s enemies.
Versatile technician Nigel and daughter Annie MacIntyre, officially her producer, are the only people people classy Prudence McCoy lets intervene in the traditional show on household tips she presents, third generation. But the TV station was bought by a tycoon, who sends his son Michael Merchant to modernize the show, assisted by studio executive Jack Jameson, Prue’s ex. That includes a make over and, even worse, co-host Angelica Adams, an immature bikini whether program presenter, who looks up to ‘maternal’ Prue. Her counter-move is no less daring.
Hormone crazed and pregnant Kira Soltanovich gets real with the trials and tribulations of pregnancy, birthing and raising kids. Putting her belly on the line, she hones in her maternal instincts in this hard-hitting, labor of love comedy special.
Sixteen-year-old Jennifer Lynn’s life is turned upside down when she gives birth to baby Zoe. Being a teen mom is not what she had planned for high school. Her boyfriend Randy refuses to step up and her mother Alicia is not interested in raising another child. But when Zoe is kidnapped, Jennifer’s maternal instincts kick in and she will stop at nothing to find her baby.
Passionate in his anti-Semitic beliefs, Csanád Szegedi was the rising star of Hungary’s far-right party until he discovers his family’s secret—his maternal grandparents were Jewish. The revelation prompts an improbable but seemingly heartfelt conversion from anti-Semite to Orthodox Jew.
The story is about a 12 year old girl who loses her mother in an automobile accident. Her father struggles with the loss of his wife and trying to raise his young daughter who believes her father is partly responsible for her mother’s death. Belle’s maternal grandfather is a changed man since losing his daughter in the accident. He finds it difficult to have a relationship with Belle since she is a constant reminder of her mother. It is Atticus the new puppy who will change Belle’s life and the lives of those who love her
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.