A fateful chain of events begin to unravel after two brash insurance salesmen go knocking on the wrong door and find themselves trapped in a stranger’s basement.

Brandon Semenuk’s Rad Company pushes the limits of freeride mountain biking and showcases the skills and passion that make him one of the most versatile and explosive riders on the planet. Brandon handpicked a crew of riders who drive and inspire him in each discipline for this film, ultimately creating some of the highest level of riding ever caught on camera. The film features an eclectic soundtrack that flows like your favorite mix tape, while seamlessly meshing all disciplines of mountain biking. NWD Films and Red Bull Media House have teamed up with some of the top cinematographers and digital effects artists to create an innovative style, while keeping true to the “all killer no filler” style of the New World Disorder. FEATURED LOCATIONS: Fiji, Retallack BC, Sunshine Coast BC, Pemberton BC, Kamloops BC, and Utah

Antero Rousku is a storeman in a paint store. His job requires raw muscle power, mixing paints and carrying house repair materials around to earn his daily bread. But the basic salary is not enough for Rousku. He also sells a lot of stuff on the side from the storeroom directly to Jylhäkorpi, a frequent visitor, bypassing company bookkeeping. Rousku’s colleague in the cellar storeroom is Raninen whose life consists of work, quarreling with his wife, and lottery. Raninen wants to win the main prize but he wants to have the right numbers in exactly the order in which they appear from the lottery machine. Raninen is not the sharpest pencil in the pencil box. Rousku’s freedom is threatened by his relationship to the saleswoman Karita. Rousku wants to keep a distance to the woman except in bed. Karita has decided otherwise.

As young and recently single parents, Clara and Alex have two completely different styles of parenting. While helicopter mom Clara hovers over her son Oliver, Alex’s daughter Emma feels out of touch with her father’s life. Their two worlds collide when Alex proposes that his marketing company shoot a commercial at the kids’ school and Clara, up for election as the parent group president, objects the idea. The commercial is Alex’s last hope for keeping the company afloat, so in a moment of desperation, he nominates himself for parent group president. In a surprising turn of events, Clara and Alex tie for president and must work together to run the group until the mandated re-vote. The bitter rivals struggle for power, outfoxing each other any chance they get, until the matter of raising their children puts things into perspective. Clara and Alex come to a mutual understanding and even ignite a spark of romance.