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The evil Jafar escapes from the magic lamp as an all-powerful genie, ready to plot his revenge against Aladdin. From battling elusive villains atop winged horses, to dodging flames inside an exploding lava pit, it’s up to Aladdin – with Princess Jasmine and the outrageously funny Genie by his side – to save the kingdom once and for all.
The eruption of the Icelandic volcano Eyjafjallajökull causes major disruptions to travelers’ plans around the world. For Alain and Valérie, it’s a catastrophe. Because to make it to the small Greek village in time for their daughter’s wedding, this divorced couple, whose mutual hatred knows no bounds, will be obliged to set out on the road together.
Rules must be followed. For the “supervisors” of the Bat Yam neighbourhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don’t enter the neighbourhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. They want to force their neighbours to become religious, without hesitating to be violent in the name of God. The inhabitants admire the gang and are afraid of them at the same time. One day a new girl, Miri, arrives. She is not familiar with the strict rules of modesty. The gang’s leader Avi is going to be torn between his feelings for Miri and his dedication to the gang.
An adaptation of a popular Israeli stage musical. Kazablan is an army veteran turned gang leader in the Israeli port of Jaffa who masks his feelings of bitterness with a lot of bravado. He’s sweet on Rachel, a young woman who lives with her father and stepmother. The budding relationship scandalizes the neighbors (not to mention Rachel’s parents) and infuriates Yanush, a middle-aged shoe store owner who wants Rachel for himself. (Yanush feels he’s entitled to marry Rachel since they’re both Ashkenazi Jews of Eastern European origins, whereas Kazablan is a Sephardic Jew from Morocco.) The neighborhood has something else to worry about besides the antics of Kazablan and his gang: the city wants to tear down their crumbling homes. The residents pool their resources to save their houses, but the money that’s collected is stolen. When he’s jailed for the theft, Kazablan must find a way to clear himself.
When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.
Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.
On planet Perdide, an attack of giant hornets leaves young Piel alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. Onboard Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad, who knows Perdide well. Thus begins an incredible race across space to save Piel.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.
A present-day idyllic kingdom where the benevolent teenage son of King Adam and Queen Belle offers a chance of redemption for the troublemaking offspring of Disney’s classic villains: Cruella De Vil (Carlos), Maleficent (Mal), the Evil Queen (Evvie) and Jafar (Jay).
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street-urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
Iranian musician Shahin Najafi flees his homeland and heads to Cologne, Germany after harsh criticism by several clerics over the release of his song speaking out against human rights abuses resulted in a fatwa being issued.
1965: Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face “on the scene”, a deep and philosophical discussion about marriage, homosexuality and other social taboos begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a “forbidden” animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.
