In this fun children’s adventure tale, 19 kids spend a few days in a mountain camp together with their caregivers, Florentina and Vasile. When little Radu gets lost in the woods, all the others, including his little sister, are worried sick and imagine all kinds of terrible scenarios. But Radu receives help from where he least expects it.

When Redwood Federal Penitentiary closes, there are going to be several hundred prisoners looking for a new home. Several of the most dangerous, all killers, will be transported by train to Santa Ana, a new high tech prison for the worst of the worst. Included in this transfer are: -Ian Kelly, explosions expert who has set off terrorist bombings worldwide. -Lorenzo “Enzo” Martini, a mafia kingpin who enjoyed nationwide fame before finally being put away. -Karl “The Killer” Miller, a serial killer with absolutely no conscience and an unquenchable thirst for blood. -Tommy “Zimm” Zimmer, a man who’s serving life for killing his wife and her lover. -Luke Sinclair, who’s finishing up the last nine months of a fifteen-year sentence for killing the man who murdered his wife. When the prisoners, under heavy security, board the last car of the train, it quickly becomes clear that an escape plan has been hatched

British television presenter A.J. Odudu embarks on a mission to find a husband in her parents native Nigeria with her feisty, match-making mother Florence.

Depressed and reeling from the recent death of his wife, Tom has built up quite a gambling debt. He goes to stay with his wealthy Aunt Florence in hopes that she will write him into her will. When a nasty creditor makes it clear that Tom is out of time, he devises a plan with Elodie, the undertaker’s daughter, to rob the graves of the rich townspeople buried in the cemetery across the road. After plundering the graves, Tom arrives back at Florence’s house and events take a dark turn. Tom begins hearing and seeing strange things that seem to coincide with the deaths of the people he robbed. Even more disconcerting… he appears to be the only one sensing the occurrences. One question lingers: Is Tom’s conscience playing a trick on him… or is he really being haunted by those he stole from?

It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

This film focuses on contemporary 30- and 40-somethings trying to make sense of their lives in an age in which the old certainties have disappeared. Lorenzo and Davide make their lives together within a circle that includes Antonio and Angelica, married with children; Nerval and her policeman husband.

Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape