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Army Sergeant Mickey Dunn sets out in pursuit of the Cisco Kid, a notorious if kind-hearted and charismatic bandit of the Old West. The Kid spends much of his loot on Tonia, the woman he loves, not realizing that she is being unfaithful to him in his absence. Soon, with her oblivious paramour off plying his trade, Tonia falls in with Dunn, drawn by the allure of a substantial reward for the Kid’s capture — dead or alive. Together, they concoct a plan to ambush and do away with the Cisco Kid once and for all.
A gold mine in Arizona, that was formerly losing a lot of money, suddenly turns into a veritable money-making machine. However, the owner, instead of being happy about his now profitable business, insists to Charlie that something is fishy and that someone is out to murder him. Charlie and his “crew” travel to the mine, pretending to be tourists staying at a nearby dude ranch so as not to arouse suspicion, and discover that the owner may well be right–it looks like the mine is being used as a cover for criminal activities, and that someone is indeed out to murder him.
On Mitch Robbins 40th birthday begins quite well until he returns home and finds his brother Glen, the black sheep of the family, in his sofa. Nevertheless he is about to have a wonderful birthday-night with his wife when he discovers a treasure map of Curly by chance. Together with Phil and unfortunately with Glen he tries to find the hidden gold of Curly’s father in the desert of Arizona.
An inside account of President Trump’s challenge to the results of the 2020 presidential election as told by former White House staff and appointees, including former Attorney General William Barr, and elected Republican officials in Arizona and Georgia who resisted pressure to change the results of the vote in their states.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao’s mysterious circus of mythical beasts.
While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-gotten fortune.
David Morales (Mario Lopez), an Arizona high school principal and single dad, has lost the holiday spirit after also losing his wife a few years ago during the Christmas season. Now, David will do anything to avoid Christmas so he moonlights as a delivery driver during the holidays. But this year David’s 14-year-old daughter, Noel (Paulina Chavez), and his live-in sister, Marissa (Marycarmen Lopez), are determined to bring the yuletide spirit back to the family and, with a little luck, also help David find love again via online dating. So when Sophie (AnnaLynne McCord), a witty musician and customer on David’s delivery route, swipes right on him, something magical happens between them.
The Arizona Territory, the 1870’s. Marshal Frank Wilcox, along with a Buffalo Soldier from the U.S. Army, must galvanize a group of survivors to fight back when the living dead rise and seek the flesh of the living. It’s a world gone mad and a battle against the unthinkable. Joined by an Apache Chief and an outlaw prisoner, the group must learn how to survive in a time where the dead walk.
What lies beneath the ocean? World War Two left a great number of ships and submarines hidden beneath the waves. Now, as the oceans drain, each vessel reveals its secrets through new data-based 3D reconstructions. From the Arizona in Pearl Harbour’s shallows, whose destruction brought America into the war, to Nazi super ship the Bismarck and its mysterious end three miles down. From the flaming merchant ships secretly torpedoed by U-boats off tourist beaches of the USA, to the covert inventions of the Allies’ costly D-Day beachhead, and lastly to the troopship Leopoldville sunk with the needless deaths of 400 soldiers. Drain The Ocean exposes the truth.
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
The Call of the Wild is a 2007 documentary by independent filmmaker Ron Lamothe detailing the odyssey of Christopher McCandless, who is best known as the subject of the novel (and later film) Into the Wild. McCandless, a self-described “aesthetic voyager whose home is the road”, died on Alaska’s Stampede Trail in August of 1992. His death followed a two-year cross-country odyssey that took him from Atlanta to Arizona, down into Mexico, and from California’s Salton Sea to the streets of Las Vegas and the small town of Carthage, South Dakota, and countless places in between. In the spring of that year, the 24-year-old McCandless had made his way north to Alaska, where he lived in the woods north of Mt. McKinley for 113 days before his death by starvation.
True story based on Jodi Arias, a seductive 28-year-old aspiring photographer found guilty of killing her former lover, Travis Alexander, who was found nude in his home shower with a slit throat, 27 additional stab wounds and a bullet to the head. While investigating the violent killing, Mesa, Arizona police retrieved a digital camera from Alexander’s washing machine, revealing shocking images authorities claim Arias took during their sexual escapades, as well as during and after his murder. While Jodi pled not guilty and contends she killed Alexander in self-defense, police concluded that when he broke off their relationship, she stalked her ex-boyfriend and seduced him one final time before murdering him in cold blood. Her subsequent trial has been grand theater, dominating the cable news networks as she testified in her own defense and offered explicit insight into the sex, lies and obsession that led up to Alexander’s murder.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.
