An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Shayla Stonefeather, a Native American attorney prosecuting a Lakota teen in a controversial murder trial, returns to the reservation to say goodbye to her dying father. After the teen is killed, she hears ghostly voices and sees strange visions that cause her to re-examine beliefs she thought she left behind.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

A young man searches for his identity deep in the Amazon jungle, while living among the tribe that murdered his grandfather decades earlier. The Grandfathers is a motion-graphics documentary completing Jim Hanon’s inspiring trilogy begun with Beyond the Gates of Splendor and followed by End of the Spear. These films were produced by Mart Green. Jesse Saint struggles to find his place in a world dominated by the memory of a famous grandfather he never knew and a heroic father he could not understand. Years spent living among the Waodani and befriending the three old men who took part in his grandfather’s murder teach Jesse the healing power of dignity, respect and forgiveness. In the jungle, Jesse must confront his family’s past as he determines his own future. This documentary is a moving tribute to a young boy’s quest for significance and wholeness, and its imprint on three old men, who, unwittingly, are on a quest of their own.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.