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811 AD, a family, isolated in their home, deep in the woods a few days travel from Birka. They are poor. The hunting and fishing has been bad for some time, and the father, Joar, takes the desperate measure of going on a Viking raid. Joar does not return for a long time, and the family starts to fear he never will. Runa, the oldest daughter, takes over her fathers chores in his absence. She misses him dearly and nourishes a tender hope that he, once again, will return to them. But in her heart, somehow she knows, that the suffering of the family has just begun. There is something in the air, something in the water, the wind and in the soil. Runa is becoming aware of something vile, something dangerous out in the forest. One day when she is out hunting, she finds a bleeding man, a warrior, almost unconscious. She brings him inside and the family tend to his wounds. As he heals, she realizes he is sent to protect the family from an approaching evil. And he brings news of her father
This film takes viewers through the rich, white majesty of the Inuit Great North. Along with doing justice to the breathtaking and awesome landscape of the freezing, snow-covered environment, Great North also looks into the long-standing traditions, such as fishing and hunting, of the Inuit tribes.
Set in Norfolk, amidst an idyllic, brooding landscape, an innocent teenage boy and his battle-weary father live a simple life. Days are spent hunting, fishing and daydreaming. Out-of-nowhere, disrupting this tranquility, a mysterious intense figure gives the green light for the father to complete one last mission; he is a mercenary, hired to assassinate a group of revolutionaries holed-up in a remote, disused civil service outpost. A mission that threatens to destroy not just the compound but the love between a father and his son.