Film director, Andrei, and his girlfriend, Paula, face the news of becoming parents. While the future mother is struggling with no worthy role models, the soon-to-be father must reconcile with the figure of his own father, now a monk on Mount Athos.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

Can the Holy Spirit direct a movie? In this fast-paced documentary from the director of the popular films Finger of God, Furious Love, and Father of Lights, Darren Wilson sets out to make a movie that is completely led by the Holy Spirit. No plan, no script, no safety net–just go wherever he feels the Spirit leading him to try and discover the adventure God has for him. Whether it’s the riches of Monte Carlo, a heavy metal concert, or the oldest city in the world, the result is a film that not only challenges and excites, but also reveals a God who is far more alive and active than you ever imagined.

Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

When Rudy, an artifacts smuggler, goes to Jerusalem to rescue his kidnapped archeologist father, he faces deportation by a scheming police chief. Now, to find his dad and recover a sacred scroll, he’ll have to outwit officials and a ruthless sect. With the help of a beautiful Israeli cop, Rudy battles a faction of religious zealots determined to see a holy war at all costs.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl’s mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.

When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana must team up with Marcus Brody, Sallah and Elsa Schneider to follow in his father’s footsteps and stop the Nazis from recovering the power of eternal life.

Rahul embarks on a journey to a small town in Tamil Nadu to fulfill the last wish of his grandfather: to have his ashes immersed in the Holy water of Rameshwaram. En route, he meets a woman hailing from a unique family down South. As they find love through this journey in the exuberant lands of South India, an unanticipated drive awaits them.

The Unloved is film that gives a child’s eye view of the U.K.’s government-run care system for orphans and children in danger. Lucy is eleven years old. Having been neglected by her estranged mother and father, she is placed in a children’s home. Through her eyes, we follow Lucy’s struggle to cope with the system. Her saving is her self-belief and her certainty that she is being watched over and protected by the holy spirit. Hers is a heroic quest for love, beauty and transcendence.

The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.

A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre (“Holy Blood”), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother.

Sequel to Dracula 2000. Father Uffizi [Jason Scott Lee] hunts vampires. He travels the world to behead them with his bullwhip, but his ultimate goal is to find the first vampire, Dracula (revealed as Judas Iscariot in Dracula 2000), absolve Dracula’s sins against Jesus, set his soul free, and end his unholy existence. So, when Dracula’s charred body turns up in the New Orleans morgue, Uffizi heads there. Medical students, Liz Blaine [Diane Neal] and Luke [Jason London] are charged with autopsying the body. When they open the abdominal cavity, they find that the liver and other organs are white, suggesting to Luke that the person did not produce his own blood but got it elsewhere, i.e., a vampire.

At a local Catholic school, the nuns have noticed that the priest is doing more than just leading his students in prayer. Not content to stand idly by as evil walks their halls, the Sisters decide to take action. Confronted by the nuns about his wicked ways, the priest retaliates. For defying him, the Father takes the Sisters hostage and bricks them into the walls of the school’s basement. The sadistic and fatal punishment shakes the faith of the women, forcing them to renounce their holy vows in the moments before their demise. How could they continue to believe in a power that would allow them to suffer such a fate when they were merely trying to do what’s right? Decades later, the school is now vacated and in a state of disrepair. Selected by the community as a building marked for urban renewal, a neighborhood youth group has volunteered their afternoon to come clean up the premises and prepare it for construction.

An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.

Helpless to stop a thief from stealing his father’s modest nest egg, Travis grows up blaming himself for his parents’ suicide. Becoming a priest who operates a highway confessional with his ambivalent brother, Michael, he offers sage advice to chosen sinners while raining death on unrepentant thieves. Into the world of this antagonistic duo comes Mary Francis, a deranged young woman with psychopathic tendencies who kills a thief who threatens to expose the decidedly un-holy siblings. Filled with gratitude, Travis invites the woman into their sacred world which begins a chain of carnage-laced events that threaten to destroy the brothers’ bloody, decades-long partnership.