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As Vladimir Putin continues his gritty reboot of the Soviet Union, he’s getting a surprising amount of help from the party once led by Reagan. In this new special, “Jordan Klepper Fingers the Pulse: Moscow Tools,” Klepper speaks to foreign affairs experts, possible Russian assets, and the Prime Minister of Russia’s neighbor, Estonia, to find out whether Republicans have become the Kremlin’s most useful idiots.
A simple man in a small and quiet town faces a painful episode that reveals the most primitive and not always explainable impulses that can turn a simple good man into a cold murderer.
Although a lowlander, Marco is a robust fellow. He is now working as a farmhand for mountain farmer Alois in a remote Swiss alpine village and, even at the regulars’ table at the local inn, people are slowly learning to appreciate this iced tea drinker. Anna is a local village girl; she has a daughter, Julia, from a previous relationship. Some doubt whether this new relationship will work out – but not Marco or Anna. They get married. Their love is gentle and beautiful; unable to fully fathom it, they express it in simple words. The trust between them grows and their tenderness endures; the happiness they feel at every touch is only surpassed by the warmth of stroking a cow. But soon Marco seems to be losing control of his impulses more and more often.
A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today’s Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it’s a group of school children…
Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he’s married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?