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Swedish thriller based on Stieg Larsson’s novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger’s niece
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
Zeus (voiced by Joey Lawrence) and the Bannister family have moved into a new home just in time for Halloween! When Zeus and George (Gary Valentine of “The King of Queens”) decide to investigate a creepy neighbor (Lance Henriksen of Aliens), they discover a scary dog (voiced by Mayim Bialik of “Blossom” and “The Big Bang Theory”), a haunted house and form a surprising partnership with a familiar pair of bumbling burglars (Dean Cain and Joey “Coco” Diaz). Can Zeus bust some ghosts, find a missing cat and face his biggest fear, all in time to go trick or treating? Elisa Donovan (“Sabrina the Teenage Witch”) and Curtis Armstrong (Revenge of the Nerds) star in this all-new thrills & chills adventure from the creators of The Dog Who Saved Christmas and The Dog Who Saved Christmas Vacation.
When Charlotte, 27, meets her brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don’t know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one.
The story of Henrik, who takes part in a student exchange program with France. The only reason for this journey is to conquer the heart of his dream girl. Wild Partys, exciting trips, a crazy host family and of course his trouble with the French language turn the – at first unmeant – holidays into a memorable summer.
An intimate profile of New York Rangers goalie Henrik Lundqvist’s struggles to return to hockey after heart surgery.
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna’s confessions do not absolve anyone, and have the power to inflict more pain.
In this sequel to Scenes from a Marriage (1973), we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven’t seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan’s son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained.
JJ, grieving the loss of her grandmother, jumps at the chance to join a new friend, Henrik, on a trip to Norway to discover her grandmother’s history and look into how she landed a troll figurine from his hometown.
An American family celebrates their 28-year-old daughter’s pregnancy. The celebration is interrupted when a Satanic cult leader, Henrik Brandr, unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of the ranch. Henrik, displeased, begins to put devastating curses on the Richardsons, trying to force them off their land – even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so valuable to the cult. They realize they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.
An American family celebrates their 28-year-old daughter’s pregnancy. The celebration is interrupted when a Satanic cult leader, Henrik Brandr, unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of the ranch. Henrik, displeased, begins to put devastating curses on the Richardsons, trying to force them off their land – even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so valuable to the cult. They realize they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.
Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
Henrik is a young father who lives in Stockholm, constantly plagued by nightmares with his deceased mother. One day, he receives the news that his father, father, who lives in a remote village, it is drowned and died. The circumstances of drowning are mysterious. Henrik travels to the village to investigate the cause of his death. To find out more about the drowning and on his father, the door to the unknown and open. Shadows of the past emerge, returning to this world for one reason only: revenge.
When Charlotte, 27, meets her brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don’t know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one.
Detective Lucas McCarthy finally apprehends “Meat Cleaver Max” and watches the electric chair execution from the audience. But killing Max Jenke only elevated him to another level of reality. Now Lucas’ family is under attack, his sanity in question, and his house haunted. Aided by a disreputable college professor, can Lucas reclaim his mind, house, and family? Features Lance Henriksen as the Lucas McCarthy and Brion James as Max Jenke. One of the few movies featuring these actors as main characters.
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
