Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

When a drug epidemic ravages the city, Detective Grant Pierce decides to take matters into his own hands, going undercover to infiltrate the infamous “Trap House”: a madman’s meth lab outfitted with lethal and sadistic booby traps.

Christian lives in a “city-palace” where he earns his living doing dirty work for LINO, the criminal boss of neighborhood. When stigmata appear on his hands, Christian finds physically impossible to carry out his work, but also discovers he has gained mysterious healing powers to fight against Lino. But MATTEO, a mysterious Vatican postulator in search of signs and confirmations, is tracking him down bringing too close to a truth that could upset his life and that of the whole world.

Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West-and the Yellow Hands Sioux tribe he left behind, Morgan returns to the tribe’s land only to discover that they’ve been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.

After losing her job and boyfriend on the same day, Jane Peterson vows to leave the city for good. before she can, a handsome and charming barista helps her rediscover the city.

Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers’ parties and starts acting in porno movies. She also begins to write a secret diary…

Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

While on an inter-galactic pizza run, Ratchet and Clank discover that the diabolical Dr. Nefarious has developed an interdimensional portal device that would allow him to rule the entire multiverse! The intrepid duo spring into action, liberating the “Portalizer” from Dr. Nefarious and then racing off to securely lock it away in a weapons museum. But along the way, they run into bumbling Captain Qwark, who uses the weapon to accidentally unleash a sentient-pizza-topping mob upon the citizens of Galactic City. It’s up to Ratchet and Clank to battle the savory horde and keep the Portalizer out of Dr. Nefarious’ evil hands before he uses it to destroy the galaxy!

Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village where she frequented in her younger days. Upon arrival, Maggie runs into Luca a handsome former lover who is still a bachelor and lives with his eighty-year-old mother Carmen. Summer (missing her “bad boy” boyfriend in NYC) and Carmen (secretly planning a wedding against Luca’s wishes to MARCELINO, her one true love in Rome) impulsively steal Luca’s car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.

When her family goes bankrupt, privileged city girl Jen Stone travels to the country to try and fix up a struggling pumpkin farm that her father bought as an investment to get her money back. Not everyone is on board with her changes, least of all Brett, the farm’s handsome manager. By working with what she knows best, she discovers the magic of pumpkin skincare and turns the struggling farm around while also falling in love.

After her father dies in an eerie accident at the family’s winery, Ellia returns home from the big city to tend to the remaining members of her disaffected family. The death is eventually ruled a homicide, with Ellia’s mother emerging as the prime suspect. Ellia takes matters into her own hands, compelled to discover the true story behind her father’s death. But the family and small-town secrets that emerge are more than she bargained for. Australia’s stunning wine country is the backdrop for this thrilling murder mystery from Director Megan Riakos.

Mia (Duff), the loyal and hard-working manager of her small town’s Christmas hat shop, is blindsided when her boss of over ten years asks her to train his son, Nick (Cupo), for a vacant upper-management position that Mia had been coveting. Although Nick is a handsome, successful New York City business consultant, Mia finds training him frustrating until Nick takes an interest in Mia’s son Scotty, helping Scotty with a pumpkin carving contest. However, Mia’s faith in Nick quickly diminishes when Nick fails to show up at the contest. To protect her son from further disappointment, Mia tries to keep Nick out of her and Scotty’s fragile life, and Nick must decide if staying in the small town of Wilsonville is worth giving up the big-city perks he once had in New York. As Mia struggles to find a way to convince Scotty to return to physical therapy so he can walk again, she soon realizes that Nick may be the Christmas miracle she has been waiting for.

The chief security officer at a top-secret medical facility finds himself caught in an explosive battle when a young thief and his accomplices steal a groundbreaking curative medicine. After discovering the true origins of the medicine, the officer must decide who he can trust to protect the cure from falling into the wrong hands, and prevent an all-out war from bringing the city to its knees.

The title is Adolf Hitler’s question to his chief of staff Alfred Jodl on the eve of the liberation of Paris (August 25): the military governor of Paris, General Dietrich von Choltitz, had been ordered to destroy Paris rather than let it fall undamaged into the hands of the Allies, but von Choltitz disobeyed.The film follows historical events as U.S. General Dwight D. Eisenhower, head of the Allied invasion, refuses to divert troops to liberate Paris. His hand is forced by the French military leader, Philippe Leclerc, and by a Resistance uprising in the city. Von Choltitz keeps details of the uprising from the German high command in an effort to save the city being destroyed in retaliation. The film follows his turmoil as a soldier and as the man who doesn’t wish to be seen by history as the cause of a beautiful city’s destruction.

In this playfully provocative story set amidst the often-turbulent backdrop of gentrification, things get hot when an openly gay white couple moves into an East L.A. neighborhood where the locals have more than skeletons in their closets. The arrival of the Anglo newcomers rocks the quiet world of Diego Campos (Rene Alvarado), a handsome young local who is tired of being played for a boy toy by his closeted real estate agent lover Pablo (David Beron). Will Diego stay at home and fulfill his Mexican grandmother’s desire for him to inherit the family restaurant – or will he follow his heart and become a chef in the big city? Award winning producer Carlos Portugal makes his directorial debut with a winning combination of quirky characters, rich storylines and suggestive situations that will appeal to fans of Latino telenovelas and popular series such as “Sex and the City,” “Ugly Betty” and “Queer As Folk.”

In a city where streets are overrun by drug dealers, those who have sworn to uphold the law are breaking it to better suit their own needs. Naresh K plays a detective (Sleaze), a veteran officer whose methods of enforcing the law are questionable, if not corrupt. ‘PSEUDO’ follows Sleaze as he takes the law in his own hands and co-ordinates a series of raids with his gang of friends. Ethical dilemmas arise when things go wrong and friends turn on each other as a game of cat and mouse ensues