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Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin (The Two Gentlemen of Verona 2014) directs Paapa Essiedu as Hamlet in Shakespeare’s searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.
Hamlet captures the Almeida Theatre’s 2017 acclaimed production of William Shakespeare’s great play, recorded as-live in its West End transfer on the stage of London’s Harold Pinter Theatre. Robert Icke’s innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott’s ‘career-defining performance… he makes the most famous speeches feel fresh and unpredictable.’
Hamlet returns home from drama school in United States, after the cold-blooded assassination of her father by her uncle, who has married Hamlet’s mother. After seeing her father’s ghost, Hamlet decides to feign insanity, in order to get to the truth.
As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralyzed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare’s Hamlet.
Hamlet/Horatio begins on an empty sound stage with the death of Hamlet. The action transpires in his last moment of awareness as the hero of Shakespeare’s most famous play watches his life flash before him while his soul transcends all earthly conflict. Hamlet/Horatio is told from the perspective of Hamlet’s closest friend and confidante, Horatio, who takes on the role of film director in order to fulfill his promise to dying Hamlet of telling the story of Hamlet’s life so that the world will know of Hamlet’s tragic sacrifice.
A company of actors arrive at a castle deep in the Irish countryside and set into motion the story of Shakespeare’s Hamlet. The lives of the actors and their characters intertwine as Prince Hamlet confronts the ghost of his father and seeks revenge on the treacherous Claudius, his uncle and newly appointed king. Hamlet’s pursuit of vengeance scorches the lives of everyone inside the castle walls and lays bare the many contradictions and ambiguities of human existence. At the play’s end, seven days have passed and the actors emerge, leaving the castle and characters behind.
From its sell-out run at Manchester’s Royal Exchange Theatre comes a film version of this unique and critically acclaimed production of Hamlet with BAFTA-nominee Maxine Peake in the title role. This ground-breaking stage production, directed by Sarah Frankcom, was the Royal Exchange’s fastest-selling show in a decade.
David Tennant stars in a film of the Royal Shakespeare Company’s award-winning production of Shakespeare’s great play. Director Gregory Doran’s modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
Desperate filmmaker Osric Taylor dreams of making his civil war Hamlet but when production funding dries up, he agrees to take southern matron Hester Beauchamps offer to fund the film if he throws some zombies in it to make their money back. But when Hester dies in mid shoot, Osric dresses up as Hester to cash the last check and awakens the suspicions of both the local police and ambitious local news reporter Shine Reynolds. Inspired by an actual incident.
Hamlet, Prince of Denmark, returns home to find his father murdered and his mother now marrying the murderer… his uncle. Meanwhile, war is brewing.
A former Broadway star, who is now a great-grandfather suffering from Alzheimer’s, relocates to the South to live with his granddaughter Tatum and her 10-year-old daughter, Liv. Along with his great-granddaughter, they put on a small town production of Shakespeare’s Classic “Hamlet.
The incredible story of a group of young actors with Down’s syndrome who set out to create a touring production of Shakespeare’s Hamlet.
A young filmmaker returns to the village where she was born – a hamlet in the north of France – to investigate a strange story about a terrorist threat. She starts with members of her own family, and doesn’t have to go much further. The misunderstanding – as it turns out to be – shows above all how alarmist news items and political machinations in the cities can take on a life of their own, deep in the hinterland.
Every Halloween, a small hamlet in the deep woods is visited by a fierce goblin, intent on capturing infants and brutally murdering anyone in it’s path.
This is Emil’s story, the man who doesn’t believe in ghosts, and his best friend, Titi. The plot unfolds in a remote hamlet, a place looking like a slice of heaven. However, the story begins at the 40-day memorial service for Smaranda, the late wife of Emil. Days pass by, and Emil realizes that Titi looks like his days are numbered. He wants to brighten him up, but nothing helps. That’s because 40 days after her death, Smaranda moves into Titi’s house and starts haunting him.
In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.
This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask’s relationship succumbs to ‘metal fatigue’, Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one’s own happiness.
Four brothers living in the fishing hamlet of Kumbalangi share a love-hate relationship with each other. Their relationship progresses to another level when Saji, Boney and Franky decide to help Bobby stand by his love.
The film is biographical, telling the story of the life and artistic struggles of the French composer Hector Berlioz. Berlioz is shown as a recalcitrant medical student in an anatomy class dreaming of becoming a composer; at a demonstration during a performance at the Paris Opéra conducted by Habeneck; at supper with other young artists (Hugo, Janin, Dumas, Mérimée, Delacroix); and chasing after his future wife Harriet Smithson, after a performance of Hamlet. Also depicted are his life in a garret, while suffering from an illness due to an abscess in the throat; a visit from his mother who curses him; and the composition of the Symphonie fantastique. The film then shows his marital breakdown, the premiere of his opera Benvenuto Cellini, his travels throughout Europe, his second marriage to Marie Recio (called “Marie Martin” in the film), public acceptance in old age and reconciliation with his son.
Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
Two gay best friends take a trip to the Pines, a hamlet on New York’s Fire Island that’s a hotspot for queer culture. Over the course of their vacation, they party with friends and develop flirtations with two other, significantly wealthier vacationers.
Catherine Clare reluctantly trades life in 1980s Manhattan for a remote home in the tiny hamlet of Chosen, New York, after her husband George lands a job teaching art history at a small Hudson Valley college. Even as she does her best to transform the old dairy farm into a place where young daughter Franny will be happy, Catherine increasingly finds herself isolated and alone. She soon comes to sense a sinister darkness lurking both in the walls of the ramshackle property—and in her marriage to George.
In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.
Every summer, Luce, an eccentric 50-something painter, spends her time in a small and isolated township, which lies in ruins in southern France, surrounded by guests. This summer, these guests are Max Bernier (an old flame, author and alcoholic), her current squeeze (a lawyer named Bisorgueil), and three friends of his whom she has yet to meet: Rhino, Gros and Alex. After finishing their shopping in town, these three unknowns attack an armored truck and make off with 250 kg of gold. They then return to Luce’s place, counting on her to hide them until the end of the summer… But certain events will throw a spanner in the works, and the hamlet will transform itself into a battlefield over the course of a very long and turbulent day.
Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.
After the death of their college age son, Anne and Paul Sacchetti relocate to the snowswept New England hamlet of Aylesbury, a sleepy village where all is most certainly not as it seems. When strange sounds and eerie feelings convince Anne that her son’s spirit is still with them, they invite an eccentric, New Age couple to help them get to the bottom of the mystery.
When a willful young man tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.
A compilation of scenes from Shakespeare adaptations made in the earliest days of cinema, including versions of King Lear, Twelfth Night, Hamlet, Richard III and The Merchant of Venice, as well as less frequently filmed plays such as Henry VIII and The Winter’s Tale.
Hick handymen Val McKee and Earl Bassett can barely eke out a living in the Nevada hamlet of Perfection, so they decide to leave town — despite an admonition from a shapely seismology coed who’s picking up odd readings on her equipment. Before long, Val and Earl discover what’s responsible for those readings: 30-foot-long carnivorous worms with a proclivity for sucking their prey underground.
After the death of his brother on the road, unemployed and unstable drifter Arthur Waldo stays for a while in the rural Australian town of Paris as the guest of the mayor, who hopes he will become a permanent member of the Paris population. Arthur soon realizes the quaint hamlet has a sinister secret: they orchestrate car accidents and rob the victims. Survivors are brought to the local hospital, lobotomized, and used for a local doctor’s experiments.
Julian Marsh is an out of work ladies’ man who lands a job directing a bizarre adaptation of Hamlet. After casting his best friend and his ex-girlfriend in the show, Julian finds himself in the middle of a two thousand year old conspiracy that explains the connection between Shakespeare, the Holy Grail and some seriously sexy vampires. It turns out that the play was actually written by a master vampire name Theo Horace and it’s up to Julian to recover the Grail in order to reverse the vampire’s curse…If only being undead wasn’t so much God-damned fun!
Two minor characters from the play, “Hamlet” stumble around unaware of their scripted lives and unable to deviate from them.
It all starts with one little seed of love.”The Miracle Maker is coming!” Everyone in the tiny hamlet is excited when they hear the news that the renowned man of wonders is coming to their village. But the humble traveler who appears isn’t what anyone expected. They were looking forward to someone magnificent who would change their lives. But it seems this man can barely take care of himself, let alone fulfill the dreams of others. However, miracles can come in all shapes and sizes and sometimes from unexpected places.
Star Wars meets Shakespeare in this timely nod to both the 40th celebration of Star Wars release and the recent 400th anniversary of the Bard’s death. Hamlet’s famous soliloquy is presented as the inner voice of a Stormtrooper, demonstrating the way Shakespeare’s language still echoes down to us through the centuries and remains as relevant today as ever—not to mention as well in a galaxy far, far away…
