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Tono, risoku de gozaru!

Tono, risoku de gozaru!

Tono, risoku de gozaru!

IMDb: 7.2
2016
min

Residents in a town have a hard time due to the land tax and forced labor. 9 people, including Juzaburo Kokutaya (Sadao Abe), worry about the future of their town. They then set up a plan to save the town. The plan is to lend large amounts of money to han (historical term for the estate of a warrior) and distribute the interest annually to the residents, but if they’re caught they will lose their lives.

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Ghostbusters II

Ghostbusters II

Ghostbusters II

IMDb: 6.5
1989
108min

Five years after they defeated Gozer, the Ghostbusters are out of business. When Dana begins to have ghost problems again, the boys come out of retirement to aid her and hopefully save New York City from a new paranormal threat.

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Yor, the Hunter from the Future

Yor, the Hunter from the Future

Yor, the Hunter from the Future

IMDb: 5.2
1983
98min

This Italian-Turkish co-production helmed by genre veteran Antonio Margheriti (using the pseudonym “Anthony M. Dawson”) was cobbled together from a four-part science-fiction miniseries shown on Italian television. In prehistoric times, the muscular Yor (Reb Brown in a loincloth) saves his cave-babe (Corinne Clery) from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland. Genre stalwart John Steiner (Caligole) and the ubiquitous Luciano Pigozzi co-star with Carol Andre.

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Combat Obscura

Combat Obscura

Combat Obscura

IMDb: 7.0
2018
67min

For years, Miles Lagoze served in Afghanistan as a Combat Camera, shooting footage and editing videos for Marine Corps recruiting purposes. In this devastating film, Lagoze assembles his own footage and that of his fellow combat cameramen into a never-before-seen look at the daily life of Marines from the ultimate insider’s point of view. More than a mere compilation of violence, the edit ingeniously repurposes the original footage to reveal the intensity and paradoxes of war in an age of ubiquitous cameras, when all soldiers can record themselves with helmet-cams and cellphones. Combat Obscura revels in the chasm separating civilian from military life and questions the psychological toll war exacts on all that it touches

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