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Homeless and addicted, a crust punk named Bug resolves to go back home, a decision that leads him and his misfit crew down a dangerous path.
Raised in poverty, Gutter realizes thriving in this world, means embracing the streets that made him.
A brutally sadistic rape leads to a series of bizarre gory murders during a midnight disco bowl-a-rama at a popular bowling alley. One by one, players of two teams meet blood-drenched gruesome deaths at the hand of a black bowling-gloved masked killer. This alley runs red with blood by sunrise.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
A bachelor who decides to propose to his girlfriend with his mother’s ring only to have the ring accidentally knocked into the gutter by a boy. He experiences the crazy nightlife in Taipei and meets many interesting individuals throughout his mission to get the ring back.
It takes BALLS to win. At least that’s what the local bowling clubs in idyllic Warroad, Minnesota used to say, before Emily came along. Now that she has returned to resurrect her name on the champion’s board, Gunnar and the boys in town are polishing up their equipment for another shot at the title. This screwball ensemble mockumentary captures Emily’s return from retirement, to avenge her loss to Gunnar, and bring justice to her family name. It’s gutter-ball madness where split happens.
With her husband jailed for Wall Street-based fraud, Faith has to leave behind her luxury life in New York to return home to North Carolina and the widower father and dutiful older sister she left behind. Together, they have to deal with the buried emotions of sudden death of Faith’s mother years ago, and learn to be a family again. Like the Prodigal story, Heart of the Country is a tale of a father’s unconditional love. He simply wants a relationship with his children, and once that relationship is restored, he begins to create healing for his broken daughter. Her marriage has to be rebuilt, her belief in herself, and her peace with her mother’s death all come together through the quiet, selfless guidance of her loving father. The novel, written by Rene Gutteridge from the original screenplay by filmmaker John Ward, takes us from the glamour of Manhattan to the open beauty of the fields of rural Columbus County, North Carolina as the timeless tale of the Prodigal Son is reborn!
See what makes Skid Row tick, a tell all, never before seen, raw documentary about the harsh reality of the street life in Los Scandalous – Skid Row. The homeless capital of The United States. Watch through my lens, as I show the true gutter life in Los Angeles; from prostitution, homelessness, hard addiction, the drug dealers perspective, police corruption and the system designed to keep them all there. My name is Shanks Rajendran and I’m a 28 year old Australian filmmaker. I shot this documentary to uncover the truth about Skid Row, the people, the place, and the politics behind it.
It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.
After years of rotting in Joliet, Les, a wrongfully imprisoned street legend known as “The Ghoul”, is released into a mad search through Chicago’s back alleys for the man who slaughtered his mother and robbed him of his soul. Aided by mysterious benefactors, he must delve beneath the city into a modern labyrinth of gutters whose tendrils have grown deep while he was gone. What unfolds is a desperate tale of brute force tragedy set in the supernatural underworld of Chicago, where heroes are reduced to horror-shows, villains dream of their own demise, and good and evil prove to be antiquated concepts.
Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.–Sean Axmaker
