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Filmmaker Morley Markson shows Abbie Hoffman, Jerry Rubin, Allen Ginsberg, Timothy Leary, and other ’60s rebels, then and now in a follow up to his 1971 film “Breathing Together: Revolution of the Electric Family.”
Val Garcia, a Mexican-American teen who is half human/half vampire, has had to keep her identity a secret from both worlds. But when her human best friend shows up at her monster-infested school, she has to confront her truth, her identity, and herself.
A true story about a gay boy growing up in the collapsing USSR, his courageous mail-order bride mother, and their adventurous escape to Seattle in the 90s.
Growing up in Las Vegas, Danny and Melissa meet at age eight and are destined to become life long friends. During their teen years they cling to each other for love and security but as they grow older their lives take different paths. Danny fills the void in his heart with his passion and love for America’s favorite pastime. While Melissa, filled with the insecurities of her youth, struggles to find the strength to pursue her childhood dreams. Although apart, their lives are forever connected. Like a glorious seven game world series, “The Road Home” is a story of imperishable hope, courage, faith, love and coming home.
In 1979, an Indian family moves to America with hopes of living the American Dream. While their 10-year-old boy Smith falls head-over-heels for the girl next door, his desire to become a “good old boy” propels him further away from his family’s ideals than ever before.
The rise and fall of American football star, O.J. Simpson, from his days growing up in Los Angeles to his murder trial that polarized the country.
Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.
In 1980, Queens, New York, a young Jewish boy befriends a rebellious African-American classmate to the disapproval of his privileged family and begins to reckon with growing up in a world of inequality and prejudice.
Raised on the streets of turn-of-the century London, orphaned Peter and his pals survive by their fearless wits as cunning young pickpockets. Now, they’ve been rounded up by their mentor Jimmy Hook to snatch a priceless, some believe, magical treasure which transports them to another world. Neverland is a realm of white jungles and legendary mysteries of eternal youth, where unknown friends and enemies snatched from time welcome the new travelers with both excitement and trepidation. These groups include a band of 18th century pirates led by the power-mad Elizabeth Bonny, and the Native American Kaw tribe led by a Holy Man, which has protected the secret of the tree spirits from Bonny and her gang for ages, and that has meant war. But as the fight to save this strange and beautiful world becomes vital, Hook, Peter, and the ragamuffin lost boys consider that growing old somewhere in time could be less important than growing up, right here in their new home called Neverland.
When young dockworker Jude leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, a rich but sheltered American girl who joins the growing anti-war movement in New York’s Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio’s childhood exploits, the memories capture the mood and nostalgia of the ’80s era.
Adam is your average working-class guy living in small-town America. He’s an auto mechanic who spends his free time with his tight-knit band of bros, Chris, Nick and Ortu, with whom he does everything—poker, video games, shooting hoops, getting drunk and meeting women. But there is something about Adam that even his friends don’t know. He is not that interested in women. When he comes out, sort of by accident but not really, his best friend Chris promises him that nothing will change but, of course, some things do. After the initial shock, the boys quickly come around to the fact that Adam is still the same dude, but when his double date with Chris ends disastrously, a drunken misunderstanding threatens to derail the group’s entire dynamic. Fourth Man Out is a feel-good buddy comedy with plenty of heart that focuses on the growing pains and ultimate strengths of of friendship.
This is a sequel to 2001 A Space Odyssey. It is now 2010 and both the Americans and the Russians are racing to get to Jupiter to investigate the black monolith (similar to the one found in Lunar Crater Clavius) which was found by the U.S.S. Discovery in orbit around Jupiter’s moons. The U.S.S. Discovery’s orbit is rapidly decaying and it will crash into IO but the Americans cannot get there in time to save U.S.S. Discovery. The Russians can get to Jupiter in time but only the Americans have the knowledge to access and awaken the U.S.S. Discovery’s H.A.L.9000 sentient computer. This forces a joint American-Soviet space expedition against a backdrop of growing global tensions. The combined expedition is seeking answers to several mysteries. What is the significance of the black monolith? Why did H.A.L.9000 act so bizarrely and terminate 4 of 5 of the U.S.S. Discovery’s crew? What happened to David Bowman? Along the way, curious data is detected …
Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.
A bold and unflinching documentary on ‘white flight’ in the area of Spanish Lake, Missouri, a post WW2 suburb. The town experiences rapid economic decline and population turnover due to racism and governmental policies which support the white exodus. The themes of the film parallel America’s growing political divide, racial tension, and rise of anti-government sentiment.
More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.
Follows the lives and families of three adults living and growing up in the United States of America in present and past times. As their paths cross and their life stories intertwine in curious ways, we find that several of them share the same birthday – and so much more than anyone would expect.
