World-traveler Harper returns to Memphis and meets wealthy widower Owen who hires her to au pair for the holidays. As they prepare for a joint event at Graceland, their feelings grow for each other. Harper realizes she enjoys living near family and must decide if Memphis will be her forever home.

When a spot opens up at Graceland Chapel, Laurel & Clay have only 3 weeks to plan their wedding. Their simple plans get all shook up as their very different families descend to help.

When a kidnapping goes wrong, a desperate father risks everything to save his daughter from the men who hold her captive.

An eccentric drifter claiming to be Elvis Presley hitches a ride with a young man and they find themselves on an adventurous road trip to Memphis.

It was an ingenious enough plan: rob the Riviera Casino’s count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, Michael must track down Murphy.

Laurel, a Chicago-based business executive, travels to Memphis to secure one of the city’s oldest family-owned banks. While in Memphis, Laurel reunites with old flame Clay, a local music promoter with loftier aspirations. Though Laurel tries to keep her eye on the prize of the business acquisition, Clay is very persuasive reminding her of the days when they were a performing duo on the brink of stardom. Now Laurel’s focus turns to the home of the Blues and dreams of making music again.

Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. On the 25th anniversary of Paul Simon’s GRACELAND, acclaimed documentary filmmaker Joe Berlinger offers a glimpse at the controversy surrounding the decision to record the album in South Africa despite a UN boycott of the nation, which was aimed at ending apartheid. In the run-up to an eagerly anticipated reunion concert, Simon, Quincy Jones, Peter Gabriel, David Byrne, Harry Belafonte, Paul McCartney and others reflect on the decision to record with local artists in South Africa, and the cultural impact of the album that delivered such hits as “I Know What I Know” and “You Can Call Me Al.”