Middle-aged businesswoman Paula Tessier rejects the advances of her client’s amusing 25-year-old son, Philip Van der Besh, but reconsiders when her longtime philandering partner begins yet another casual affair with a younger woman. She soon learns that May-December romances with older women are frowned upon in society.

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the “art” films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

“Til death do us part” wasn’t nearly long enough for Max and Abby as his ghost returns to help her get over him. But with a second chance to be together, neither will ever want to say goodbye again.

Young mother Lori must say goodbye to her husband, who decides to join the war against ISIS. She finds herself in a fight in midst her own society. Thus, Lori searches to express her feelings in dance.

Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.

Do Ajnabi, Ek Raat, Sheher Paris. Akash (Rhehan Malliek) and Ishkq (Preity Zinta), two complete strangers, after having met on a train from Rome to Paris, end up spending the evening together in the romantic city. However, owing to a no baggage pact set by Ishkq, the two part ways the next morning without a proper goodbye. Ishkq, being the strong-headed independent girl, moves on, while Akash ends up falling for the girl he spent the evening with. They cross paths once again in Paris but will there be Ishkq In Paris?