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Two men with the same name endure the funny consequences of getting mixed up during a business trip.
In a present-day Spain, divided and on the brink of political chaos, inquisitive millennial investigative reporter Antonia stumbles on a decades-old conspiracy: the existence of a cryogenically frozen super-agent, García, created in a laboratory in the 1950s by General Franco’s fascist secret services. The old-world collides with the new as García and Antonia must learn to work together as they are drawn deeper and deeper into a political conspiracy that threatens to overthrow democracy and plunge Spain back into brutal dictatorship.
Charged with 2400 volts of electricity, Eduardo Garcia lost an arm, ribs, muscle mass and nearly his life, but more important than what he lost is what he found.
Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community’s main source of economy and pride.
Young Scott Doherty (Adam Garcia) gets suspicious when his mother (Jacqueline Bisset) plans to wed Oliver Vance (Stuart Wilson) soon after her husband’s untimely death. Scott investigates with Oliver’s pretty daughter, Kelly (Alice Evans), who shared Scott’s doubts about the upcoming nuptials. Along the way, he falls in love with Kelly, but a fatal explosion turns Scott’s life upside down – and the evidence points to him as the murderer. Has he been framed?
A sudden death reunites the Garcias and San Roman. Lidia and Manuel fight for their romance, but Francisco moves into the house. Lydia’s promotion means settling in Monterey. Rosa manages her husband’s memory while trying to bring Jaime into her life. The two families deal with death differently and prepare for a new life.
After being dumped on her 30th birthday, Trish Santos works through her loneliness with help from her online art students, her two best friends, and a box of homemade self-help tapes given to her by the mysterious “mind painter” Doc Garcia.
In the extravagant whaling city of 1850s New Bedford, MA, one family is conflicted and divided by the treatment of African Americans during the height of slavery in pre-civil war America. William M. Thomas, a medical surgeon, is a man of questionable faith and principles, until he hears the audible voice of God. The near death experience and commanding voice of The Almighty shakes William to his spiritual core. What begins as a righteous quest for American freedom and human redemption, ultimately transforms the traveling doctor into the most notorious abolitionist of Ante-Bellum America. His wife, the most affluent and powerful woman in the New World, covers her husbands tracks, until one day he goes too far. Now all are left to choose between life or death; security or sacrifice; passivity or justice; faith or fear. Written by Xavier Garcia
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran’s volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn’t like it – and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison. Making his directorial debut, Jon Stewart tells the tale of Bahari’s months-long imprisonment and interrogation in this powerful and affecting docudrama featuring a potent and performance by Gael García Bernal recounting Bahari’s efforts to maintain his hope and his sanity in the face of isolation and persecution-through memories of his family, recollections of the music he loves, and thoughts of his wife and unborn child.
Juan Garcia is a boy on the threshold of manhood living in a gang-controlled neighborhood. His role models could not be further apart: his older sister Angie, a single mom, struggling to gain a foothold in the white corporate world and his uncle Manny, an ex-gang member, who has fallen into an acting career playing gang bangers since his release from prison. With the future on his doorstep, Juan, like most boys, can only think of girls and is unaware of the judicial system’s hard line stance against gang affiliation.
Sonny “Sundown” Garcia is the top cocaine distributor in the United States, which has made him a very rich and powerful man. It has also made him plenty of enemies. John Doe is just such a man. A nameless man of mystery, John lives to see Sundown not just dead, but to suffer six meaningful losses before his death—his fortune, his freedom, his love, his reputation, his most valuable possession and, finally, his life. John hires six hit-men, each one assigned to inflict one of the six meaningful losses upon Sundown.
Benjamin Garcia, Benny is deported from the United States. Back home and against a bleak picture, Benny gets involved in the drug business, in which he has for the first time in his life, a spectacular rise surrounded by money, women, violence and fun. But very soon he will discover that criminal life does not always keep its promises.
Luz Garcia, a high school senior in a forgotten Texas town, wants something different than the options awaiting her after graduation. She’s earned a ticket out with admission to the University of Texas at Austin, but she can’t afford to go. Her one shot is a scholarship for winning the State Powerlifting Championship. It’s all or nothing for Luz . . . until nothing stares her in the face.
Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez’ first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest…with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy…
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
When the Love Is Gone is a 2013 Filipino romantic drama film directed by Andoy Ranay, starring Cristine Reyes, Gabby Concepcion, Alice Dixson, Andi Eigenmann, and Jake Cuenca. The film is distributed by Viva Films with co-production of Multivision Pictures and was released November 27, 2013 nationwide as part of Viva Films’ 32nd anniversary. The movie is a remake of the 1983 blockbuster movie directed by Danny Zialcita entitled Nagalit ang Buwan sa Haba ng Gabi which stars Dindo Fernando, Gloria Diaz, Laurice Guillen, and Eddie Garcia.
Based on the famous play “Bodas de sangre” (Blood Wedding) by Federico García Lorca, La novia tells the story of a passionate love triangle. A bride leaves her groom, no longer able to withstand the surging desires of her lover, Leonordo.
Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead’s October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the “Wall of Sound” concert sound system that the Dead used for all of 1974.