A father lives a double life as a counterfeiter, bank robber and con man in order to provide for his daughter.

Every year, on the 9th of May, people gather in Treptower Park in Berlin. They come dressed in their best outfits or in Soviet military uniform. They carry flags, banners and posters. They lay flowers at the monument to the Soviet soldier; they sing, dance and drink. They celebrate the victory of the Soviet Union over Nazi Germany.The film is a direct reportage from Treptower Park 72 years after the victory.

Serving her country is an honour for Judith (GiGi Erneta: Friday NIght Lights, Vernonica Mars), an army nurse whose Vietnam veteran father (William Devane: Knots Landing, 24) taught her the importance of sacrifice. After a tour in Iraq, she returns home and combats severe post-traumatic stress in the form of nightmares. She and her father share a loving bond strengthened by military camaraderie. Envious of their relationship, her brothers (led by John Schneider: The Dukes of Hazzard) shockingly rebuff her… a snub that intensifies when their father dies suddenly. Faced with the task of healing her family and mind, she relies on her faith to fight the battle. But she also battles post traumatic stress initiated by a P.O.W. experience when she fought for her life and the salvation of a fellow American solider while in captivity. When a secret is revealed, the brothers must find a way to humble themselves and make amends.

Builder Harry Hambridge is a down-on-his-luck paddy living in London. In one day he loses his job, father and beloved pet hamster, Mouse. On returning home to bury his father, he finds a statement from his Grandfather, claiming that it was he who raised the flag over the GPO during the 1916 Rising, which now hangs upside-down in an army barracks in England. Too long used to the mockery of his life, he sets out with his motley crew to find that “fecking flag” and maybe his passion for life along the way.

Flagwaving story of a new American destroyer, the JOHN PAUL JONES, from the day her keel is laid, to what was very nearly her last voyage. Among the crew, is Steve Boleslavski, a shipyard welder that helped build her, who reenlists, with his old rank of Chief bosuns mate. After failing her sea trials, she is assigned to the mail run, until caught up in a disparate battle with a Japanese sub. After getting torpedoed, and on the verge of sinking, the Captain, and crew hatch a plan to try and save the ship, and destroy the sub.

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

Meg, a music manager, travels from New York to London to manage a boy band, Five Together, and find them a Christmas number one to bolster their flagging career. She finds a song on the internet posted by an ailing thirteen-year-old girl, Nina, and tries to obtain permission to have the song re-recorded by Five Together, but she discovers she has competition from the songwriter, Nina’s uncle Blake. What follows is a romantic comedy about two worlds colliding – with a young woman at the centre who desperately wants her uncle to find love and for his song to hit the number one spot by Christmas Day.

Based on his book, Michael Waltrip recounts the 2001 Daytona 500 and the lighting-fast transition from elation to mourning – as he took the checkered flag to win while Dale Earnhardt, his friend and team owner, crashed in Turn 4 behind him. Earnhardt’s death and the events of the race had a profound effect on Waltrip, shown in this documentary.

Christina Masters, the manager of McDougal’s flagship department store, is determined to land the manager position for their new Paris location. She sets out to impress Victoria, the store’s owner, by creating the best holiday display in McDougal’s history. Fresh out of inspiration despite assuring Victoria otherwise, Christina turns to a recently-fired store employee who also happens to be a talented artist and single dad to his young son. As they work side-by-side, the business relationship becomes personal and she finds herself falling in love. Will the allure of her dream be too strong or will she choose to follow her heart?

From the beginning, LA punk band the Circle Jerks were rooted in controversy. Formed by ex members of Black Flag and Red Cross (now Redd Kross) in late 1979, the band came to encapsulate the image, sound and energy of California Hardcore Punk. Filmmaker David Markey (1991: The Year Punk Broke, The Slog Movie) mixes in-depth interviews, rare live footage and historical perspective to illustrate the story of one of the most influential bands in the American underground. My Career as a Jerk follows the band from their early days and classic debut to navigating the independent label and touring scene of the 80s to the addictions, fights and injuries that forced their break up. Of course the story doesn’t quite end there.

“An idyllic summer day turns into a living nightmare … With school finally over, college graduate Natalie Wilner returns to her hometown to celebrate the Fourth of July weekend. But beneath the flags and fireworks lurks a dark, malevolent figure. After a night of drunken parties, she stumbles home and drifts off to sleep, only to be woken moments later by a loud knock on the door. Experience one night of terror, through Natalie’s eyes as she fights to escape a relentless, knife-wielding maniac …”