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Eight year old Anthony is somewhat uneasy about spending the weekend with his alcoholic, down-on-his-luck carpenter dad Walt while his mom Bonnie and her new husband Kyle go to a Catholic retreat together. Walt is just as uneasy about spending time with Anthony, especially since their first day together is a series of characteristically unfortunate events, including his truck breaking down, his landlord locking him out of the house, and the theft of his toolbox, which he needs for an upcoming job. As Walt and Anthony set about finding the guy who stole the tools and improvise around their other misfortunes, they begin to discover a true connection with each other, causing Walt to become a better father and Anthony to reveal the promise and potential of the good man he will become.
Judge Clarence Thomas’ nomination to the United States’ Supreme Court is called into question when former colleague, Anita Hill, testifies that he had sexually harassed her.
Atsushi Sakahara, a victim of the 1995 sarin gas attack in Tokyo’s subway system, travels with Hiroshi Araki, an executive of Aleph (formerly Aum Shinrikyo), the attack’s perpetrators, visiting their respective hometowns and the university they both attended. Conversations unfold, building intimacy: we learn why Araki joined the infamous organization led by Shoko Asahara and why, still, Araki remains an executive member of the cult, even though he was not directly involved in any of the crimes.The beginning of a friendship, a trip for redemption, or the confirmation that each human has to go their own way.
When Hanky Pranky (alias Schucks), star of a candid camera TV show, loses his job to affirmative action, he applies for a job at a stress academy. It´s not long before Schucks discovers his new boss, Jack Paddaman, is as crooked as they come, but it´s too late: the employment contract is signed and sealed.A year passes, and Schucks is no better off. However, his candid camera videos, which poke fun at all sectors of post-1994 South Africa, prove a big hit with stressed-out government ministers. When the president asks Paddaman to make a movie to benefit street children, Schucks and his pals do all the hard work while Paddaman plans how he can get hold of the profits from the video sales. Add a scatterbrained secretary, a lovelorn traffic cop and a cunning street child and you have a roll-in-the aisles comedy with a distinctly South African flavour.
Paris. Gabrielle and Enzo, two teenagers from the same gang, meet in front of the school. Cigarettes, the affirmation of sexual desire and the discovery of new drugs punctuate their day. Each one, in his own way, celebrates or laments childhood that is slipping away.
Christian lives in a “city-palace” where he earns his living doing dirty work for LINO, the criminal boss of neighborhood. When stigmata appear on his hands, Christian finds physically impossible to carry out his work, but also discovers he has gained mysterious healing powers to fight against Lino. But MATTEO, a mysterious Vatican postulator in search of signs and confirmations, is tracking him down bringing too close to a truth that could upset his life and that of the whole world.
In Sarajevo, a teenager seeking affirmation reveals that she had sex for the first time during a game of ‘truth or dare’ among middle schoolers. Trapped in her own lie, she fabricates a pregnancy and becomes the center of a controversy that spirals out of control.
Eden is a coming-of-age film about a Protestant Confirmation camp on a summer’s week, set in the archipelago of Helsinki. Aliisa is the intellectually confident non-believer, Jenna is the queen bee and Panu is the scared bird. The experience of these teenagers is affected by Tiina, a young and eager priest.
An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he’s there, MacWhite sees only a dichotomy between the U.S. and Communism. He can’t accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman’s advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki’s shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
London, 1974. As Britain prepares for electrical blackouts to sweep across the country, trainee nurse Val arrives for her first day at the crumbling East London Royal Infirmary. With most of the patients and staff evacuated to another hospital, Val is forced to work the night shift, finding herself in a dark, near empty building. Within these walls lies a deadly secret, forcing Val to face both her own traumatic past and deepest fears.
As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.
Political thriller about Laine Hanson’s nomination and confirmation as Vice President. An allegation that she was involved in a sexual orgy at the age of 19 is leaked to the press. As pressure mounts on Laine, she’s torn between fighting back or sticking to her principles and refusing to comment on the allegations.
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest, who is also a childhood friend. Anna clings to her beloved grandfather. She also grows close to Pierre, a free-spirited teenager who cares little about God. Anna is preparing for her confirmation, but her budding desire for Pierre shakes her faith. She longs to give herself over, body and soul… but doesn’t know if it is to God, or something else?
The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.
Confirmation of extraterrestrial life appears on television screens across the world as a massive spacecraft breaks through the atmosphere on a crash course into the Atlantic Ocean. A young paramedic, Greg Baker, signs up to fight for his planet against the invaders. Baker joins Special Forces members as the squad medic as they escort a classified package by chopper over enemy territory. When their chopper is shot down they find themselves surrounded and outnumbered. Desperate to return to his wife’s side and haunted by nightmares, Baker find that his role in the war has quickly become much larger than he could have ever imagined. The mysterious package may be the key to turning the tide of the war, and possibly to saving all of humanity, but Baker must decide whether to protect it or sacrifice it to ensure his own survival.
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.
