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Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity’s unique obsession with the camera’s image and the social consequences that lay ahead.
The Fantastic Four is an unreleased low-budget feature film completed in 1994. Created to secure copyright to the property, the producers never intended it for release although the director, actors, and other participants were not informed of this fact. It was produced by low-budget specialist Roger Corman and Bernd Eichinger (who also produced another Fantastic Four movie in 2005).
A history of the ill-fated 1994 production of “The Fantastic Four” that was executive produced by Roger Corman.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
In the ’40s, three brothers decide to live a great adventure and enlisting in the Roncador-Xingu Expedition, which has a mission to tame the Central Brazil. The Villas Boas brothers: Orlando, 27, Claudius, 25, and Leonardo, 23, engage in a fantastic and incredible saga. Soon start to lead the expedition that opens new paths 1,500 km, navigates over 1,000 miles of unspoilt rivers, opens 19 airfields for airplanes Army, gives rise to the creation of 43 towns and 14 make contact with wild Indian tribes, unknown, as the Xavante, courageous and feared warriors, no casualties on both sides. This adventure allows the Villas Boas brothers the creation of the Xingu National Park, the first major Amerindian reservation in Brazil, the size of Belgium, transforming them into true contemporary heroes.
1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record.
Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!