A documentary concerning the violent Italian ‘poliziotteschi’ cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

In this sequel to the erotic cult hit, reporter Elyse Lam investigates a string of kidnappings involving sexy young women who turn into zombie love slaves. Elyse traces the crimes to a mummy that’s controlled by crazed museum director Dr. Zita Furneaux . As she digs deeper into her big story, will Elyse fall victim to Dr. Zita’s seductive charms?

Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?

“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now…

Jerry Ross Barrish sees the beauty in—and creates the unexpected out of—discarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Art’s prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farley’s engaging documentary goes to show. Seeing the playfulness of his pieces, you’ll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society

Code of Trust is a creative documentary set in a near future, that explores how the Blockchain can change the way we trust each other, do business and manage transactions between individuals and institutions. We meet Nazreen, a refugee from an unnamed Middle East country. Unwillingly trusted with evidence of war crimes, she is forced flee to Europe. We follow her on the route and sees how she integrates into a society where Blockchain technology is already adopted. How is trust managed in the future Nazreen’s story is cut with leading blockchain experts sharing their thoughts on how Blockchain technology has the potential to be the framework for the Fourth Industrial Revolution.

Bloodsport III brings us back to the world of Alex Cardo. This time he must battle in a fight to end all fights – The Kumite, the most vicious warrior alive – Beast. He must not only battle for his own honor, but also avenge the death of Sun, his mentor, teacher, and spiritual “father”, when Sun is spitefully killed by crime boss Duvalier. In order to defeat Beast, destroy Duvalier, and avenge Sun’s death, Alex turns to Leung to whom he was indebted in Bloodsport II. Leung directs him to the great shaman, Makato “the Judge”, to whom Alex must turn for guidance. The judge teaches him to fully channel the energy in his mind and body in order to rout the Beast in the Kumite…

A mysterious criminal known as The Whispering Shadow commits crimes by means of a gang he controls by television and radio rays. Jack Norton, whose brother was murdered by The Whispering Shadow, suspects that the eerie Professor Strang – whose ghostly wax museum contains figures far too lifelike – may be involved in the crimes.

Day in, day out, Niklas ‘Nick’ Tschiller and his partner Yalcin Gümer investigate crimes that are happening in Hamburg. But at some point even the policeman needs a break to spend time with his daughter Lenny. Then it says: Tschiller a.D. – out of service – goodbye to Hamburg. However, simply relaxing is easier said than done, because crime never sleeps and a new, very personal case throws a spanner in the works for Nick’s plans for a well-deserved break. Even on vacation, the criminal investigator is not sure about his job and so a wild journey soon takes him across Europe, including to Istanbul and Moscow.

An absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

When Ashley and her young daughter Sarah get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help: her estranged father Matt, currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie and his lieutenant Bobo. As Ashley, Sarah, and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.

GOLDSTONE, the award-winning new feature from Australian auteur Ivan Sen (Mystery Road), is a complex and stylish crime thriller that explores themes of racism, human trafficking, police corruption, corporate malfeasance, and the trampling of indigenous people’s rights. On the trail of a missing person, troubled indigenous detective Jay Swan (Aaron Pedersen, Mystery Road) finds himself in the small mining town of Goldstone, where he is arrested for drunk driving by local cop Josh (Alex Russell, CBS’s “S.W.A.T.”). When Jay’s motel room is blasted with gun fire, it becomes clear that something larger is at play. While struggling to overcome their mutual distrust, Jay and Josh uncover a web of crime and corruption, which leads directly to the town’s cold-blooded Mayor (two-time Oscar nominee Jacki Weaver, Silver Linings Playbook) and its smarmy gold mine director (David Wenham, Lord of the Rings).

Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

The Thread is a groundbreaking documentary that exposes the undeniable impact amateur internet writers are having on journalism today. Following the 2013 Boston Marathon bombing, amateur internet sleuths took to Twitter and Reddit, intent on identifying the individuals responsible. The ensuing investigation led to an innocent young man being charged with the crime, thus changing the face of journalism forever. Directed by Greg Barker (Manhunt) and executive produced by Emmy Award-winning producer Jonathan Chinn (American High) and Academy Award-winning producer Simon Chinn (Man on Wire).

In the city of 9 Million people everyone is engulfed in the everyday rat race chasing that almighty dollar. This movie tells the story of one of its own ‘Carter Blanche’. Carter has staked his claim to the American dream. But history teaches us that behind every wealthy empire is a major crime; and Carter’s rise to power is no exception. Trying to go legit, he is faced with deception, betrayal, and self serving agendas from those closest to him and must maneuver his way through all those who want to crumble what he has built. As he determines who’s friend or foe. The decisions Carter makes can, and will cost lives.