The Sci-Fi Romantic Independent film WITHOUT WARD takes place in the future where a one-world government; Contractualism, controls everything. A notable inventor, Ward (Martin Landau), creates a drug which allows people to literally live in their wildest dreams. Over the next 20 years, 50% of the world’s population ends up on the drug, while the Union of United Esquires, lawyers with guns that act as the worlds police force by fulfilling and enforcing contracts, take care of them.

A pair of failing high school students — Bill S. Preston, Esquire and Ted “Theodore” Logan — are visited by a time traveler from the future who takes them on an adventure through time to gather up actual historical figures to help them with a history report.

An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia’s top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted thriller inspired by Scott Anderson’s popular Esquire article. The Weinstein Company provides stateside

Satirical comedian Ben Gleib, dubbed the “next big thing” on Esquire’s comedian list, performs his first one-hour comedy special where he tackles social media, singledom, vegetarians and everything in between.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.