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After their narrow escape at the end of “Pitch Black,” Riddick, Jack and the Imam find themselves at the mercy of a madwoman who intends to entomb Riddick forever as part of a twisted art exhibit. With little but a shiv and Riddick’s innate viciousness to aid them, Riddick and his allies must find a way to escape from their captor and her band of mercenaries.
Having previously investigated the architecture of Hitler and Stalin’s regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn’t dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini’s love of a fancy uniform.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain’s most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True – and deeply moving – the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.
In Center Stage: On Pointe, Jonathan Reeves (Gallagher) is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his his top choreographers Charlie (Radetsky), Cooper (Stiefel) and Tommy (Wormald) to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker (Muñoz), who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp. Chloe Lukasiak plays Gwen, a talented dance prodigy who competes at the camp. – Denise Petski
When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana – a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.
The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.
