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La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.
An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.
An adaptation of the eponymous song by Renato Russo, a famous Brazilian singer and composer who in the style of Bob Dylan knew how to delight crowds by telling stories and singing with his lyrics. Focusing on the love story of outlaw João do Santo Cristo with Architecture major student Maria Lúcia, the movie takes place in Brasilia in the early 80s. In a clash of interest, drug dealers and the police conflict with one another,while the end of the military dictatorship in the Capital of Brazil, Brasilia takes place. The wanderings and tedium of a young rocker, who lived in a city still being built, are the backdrop for this story.
A kickboxing cop abandons the violent life after he accidentally kills his opponent during a match. After quitting, he heads for the Arizona desert to live alone and occasionally work tracking drug runners for the area sheriff. One particularly wily Mexican drug lord, Santos, has been a real thorn in tracker Joe Highhawk’s side, so when he encounters the beautiful Claudia and her simpleton brother Anthony running for their lives because she, an accountant, embezzled $20 million from Santos, he decides to help them. This actioner follows what happens next. Along the way, they encounter all sorts of danger, and double cross until the exciting final standoff between the kickboxer and the villain.
December 21, 2012 is on everyone’s mind. What will it bring? Is it the end of the world? A new beginning for mankind? Or just another year on the calendar? Brave Archer Films presents ‘2012 Crossing Over, A New Beginning.’ The feature documentary explores a positive spiritual perspective on the events of Dec 21, 2012. The film investigates the galactic alignment, consciousness awakening, cycles of evolution, our binary star system with Sirius, the fear agenda in the media, who’s behind it, love vs fear and much more. The film is loaded with amazing revelations of the current times we live in, from exceptional astrologer and teacher Santos Bonacci, spiritual leaders Bud Barber, George Neo and much more. The doco is shot entirely in Full HD, illustrated with high end animations and includes original music by Jonathan Kent.
Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.
When Ilana travels to Santorini with her Greek boyfriend Mike for his sister Alex’s wedding, she’s thrilled to be asked to be her American Maid of Honor. Mike surprises Ilana by proposing, leaving Ilana gets caught in the whirlwind created by his well-meaning and overly enthusiastic mother Athena.
Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.
After being dumped on her 30th birthday, Trish Santos works through her loneliness with help from her online art students, her two best friends, and a box of homemade self-help tapes given to her by the mysterious “mind painter” Doc Garcia.
Elena Santos, a young woman with a complicated past, maneuvers her way into working as a live-in nanny for an affluent family in Manhattan. She quickly learns that everyone in the mysterious building has deadly secrets and ulterior motives. What they don’t know, however, is that Elena has some shocking secrets of her own.
Madrid, the beginning of the century. One day, the police inspector Santos Trinidad coming home very drunk, is involved in a triple murder. But there is a witness who managed to escape and that could incriminate him. Santos undertakes an investigation to locate and eliminate the witness. Meanwhile, Chacón a judge in charge of investigating the triple murder, meticulously advances in the search for the murderer. Santos and Chacon soon discover that what seemed a simple case of drug trafficking is actually something far more dangerous.
Based on Wall Street Journal reporter Deborah Ball’s widely-read book “House of Versace: The Untold Story of Genius, Murder, and Survival”, the movie brings to light the story of Donatella, who, following the brazen murder of her brother, world-renowned designer Gianni Versace (Colantoni) at the height of his success, is suddenly thrust into the spotlight as head designer of his fashion empire. At first ridiculed by critics worldwide, Donatella falls victim to drug addiction and nearly bankrupts the company. With the help of her family, including daughter Allegra, Aunt Lucia (Welch) and brother Santo (Feore), she enters rehab to confront her demons and soon comes back stronger than ever to re-ignite the beloved Versace brand with her own vision and builds one of the most powerful and influential fashion houses ever known.
When talented young singer, Roxie Santos, meets music producer, Eddie Marz, he promises her an amazing new lifestyle and a future record deal. All he needs her to do is first lend her voice to a celebrity with no singing talent. However, when things go too far and it looks like she might lose her “voice” forever, she sets off to prove the truth.
In early-1970s Las Vegas, low-level mobster Sam “Ace” Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he’s a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
Juan de los Santos, a former undercover cop from Paraguay, once ready to take down the biggest drug cartel in Latin America, has lost everything; his wife and kids brutally murdered on a cold dark night and with them, his will to live. Juan, himself didn’t survive unscathed; on that cold night he took two bullets, one still in his heart, the other one damaging a part of his brain, cursing him sporadic amnesia. In an internal and external struggle with his own demons, Juan must defeat incredible odds to save innocent people. Sleepless, and afflicted by treacherous nightmares of that night, he is willing to take any job to alleviate his suffering.
All bets are off when corrupt homicide cop Rick Santoro witnesses a murder during a boxing match. It’s up to him and lifelong friend and naval intelligence agent Kevin Dunne to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can’t turn a blind eye to.
Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.
In this third remake of legendary Japanese director Akira Kurosawa’s hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
Santos attempts to lead a people’s revolt in Colombia to overthrow the Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain, a lieutenant Santos rescued during the Vietnam War. McBain agrees to help, recruits his old war buddies, raises some cash by killing a few drug dealers, then leads an attack to topple the Colombian government.
Cinema Novo is a movie-essay that investigates poetically the most important movement of Latin America cinema, through the thoughts of its main auteurs: Nelson Pereira dos Santos, Glauber Rocha, Leon Hirszman, Joaquim Pedro de Andrade, Ruy Guerra, Walter Lima Jr., Paulo César Saraceni, among others.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.
UFC 139: Shogun vs. Henderson was a mixed martial arts event held by the Ultimate Fighting Championship on November 19, 2011 at the HP Pavilion in San Jose, California, USA. The event was the first that the UFC has hosted in San Jose, the longtime home and base arena for Strikeforce. UFC Heavyweight Champion Cain Velasquez was originally expected to have his first title defense against Junior dos Santos at this event. However, on September 2, 2011, the UFC announced that fight would be moved to the inaugural UFC on Fox event. Vitor Belfort was briefly linked to a matchup with Cung Le at this event. However, Belfort was removed from the bout and replaced by Wanderlei Silva. Dana White announced that the winner of the main event between Rua and Henderson will likely be in line for a Light Heavyweight title shot.
Guerrero, an illegal immigrant from Mexico, crosses the border into the United States in search of his family. After arriving in San Diego, California he meets organized crime boss Gino Santoro, who offers him lodging, a job, and help in finding his family. There is only one condition… he must fight in an underground Cage Fight tournament and only the strong will survive!
The Legend of Korra is an American animated television series that premiered on the Nickelodeon television network in 2012. It was created by Bryan Konietzko and Michael Dante DiMartino as a sequel to their series Avatar: The Last Airbender, which aired on Nickelodeon from 2005 to 2008. Several people involved with creating Avatar, including designer Joaquim Dos Santos and composers Jeremy Zuckerman and Benjamin Wynn, returned to work on The Legend of Korra.
The series is set in a fictional universe where some people can manipulate, or “bend”, the elements of water, earth, fire, or air. Only one person, the “Avatar”, can bend all four elements, and is responsible for maintaining balance in the world. The series follows Avatar Korra, the successor of Aang from the previous series, as she faces political and spiritual unrest in a modernizing world.
The series, whose style is strongly influenced by Japanese animation, has been a critical and commercial success. It obtained the highest audience total for an animated series in the United States in 2012. The series was praised by reviewers for its high production values and for addressing difficult sociopolitical issues such as social unrest and terrorism. It was initially conceived as a miniseries of 12 episodes, but it is now set to run for 52 episodes separated into four seasons, each of which tells a separate story.
