A woman is confronted by a stranger, who believes she’s been edited out of their story.

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens

The president of the Japanese National Railways is found dead during a period in which train service is plagued by numerous layoffs, strikes and shutdowns. The government says that the president was murdered; the police claim it was a suicide. A quizzical reporter follows the case for years, but the basic question remains unanswered: was the victim killed by members of the burgeoning Communist movement in Japan, or was the death stage-managed by the authorities in hopes of discrediting the Communists?

Ivy is a talented up-and-coming romance book editor, up for a promotion at work but tasked with helping a stubborn mystery writer incorporate romance more successfully into the next book in his best-selling series. When he volunteers to be Ivy’s faux date for her best friend’s beach wedding in return for Ivy’s editing skills, will they be able to rewrite their fake romance into a real one?

Portrayal of a talented, influencial and troubled artist: a filmmaker who fought his own demons and seemed to live his own legend like no other director. Against all odds Sam Peckinpah was able to create a very personal body of work in the studio system of Hollywood and with his powerful directing and editing style changed the way of filmmaking forever. Legendary for his use of slow-motion violence, various scandals and his ongoing problems with sudios and producers, the story of Peckinpah is filled with tragedy, humor, success and defeat.

A “behind-the-scenes” insight of the Romanian wedding industry, with cameramen, photographers and singers from all around the country in the spotlight. Their life stories, their editing styles, their hands-on-approach know-how and, of course, their performances at weddings, mix up in a shortcut-style film. George Stirbat, the 30-something one-man-show singer from the small town of Onesti returned home after a mini-Broadway career and Petru Manici, the coal mine electrician from the mining town of Petrosani, are just two of the most interesting characters the film follows in their quest to achieve perfection for the bride’s and groom’s memories. Something to remember.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Recent graduates of a secluded U.S. Air Force base must protect a gene-editing bioweapon from the Russian military—who are desperate to seize the deadly viral agent at any cost.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.

Unable to get over the tragic loss of the love of his life, and stuck with a day job of editing adult videos, Chase meets an unlikely ally – a call girl (Valentine) who works under the various personas she has created for herself. Is Chase ready to uncover Valentine’s dark secrets?

Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.

A feature length documentary film representing the ‘B’ side to the 2012 release ‘Something from Nothing: The Art of Rap’. A hard hitting story of life and death in South Central Los Angeles. A struggle beyond the nearby Hollywood limelight among people for whom state intervention comes mostly with a siren attached. Amsterdam Film Festival Winner World Cinema Documentary Editing Award 2014.

Timothy Hughes (Adrian Lockett) returns back from War only to face tragedy. His brother has been murdered , and they have no witnesses. which sends him on a downward spiral of Violence along with his Uncle ( DSR legend, Big Tuck), while being pursued by a DEA Agent (Christian Petrovich) under investigation , who takes one last chance at a new life but digs himself deeper than he ever thought. – Meanwhile a young Hispanic youth (Alexander Luna) gets in over his head trying to impress a Girl , that takes him down a dangerous road to the Mexican Cartel. Unknown to all 3, their lives will soon Collide . From RISING upcoming Director JUAN SALAS, comes this 8X Award Winning Indie EPIC. WINNER of Best Feature, Best Director, Best Actor, Best Supporting Actor and Best Editing across several Festivals.

For years, Miles Lagoze served in Afghanistan as a Combat Camera, shooting footage and editing videos for Marine Corps recruiting purposes. In this devastating film, Lagoze assembles his own footage and that of his fellow combat cameramen into a never-before-seen look at the daily life of Marines from the ultimate insider’s point of view. More than a mere compilation of violence, the edit ingeniously repurposes the original footage to reveal the intensity and paradoxes of war in an age of ubiquitous cameras, when all soldiers can record themselves with helmet-cams and cellphones. Combat Obscura revels in the chasm separating civilian from military life and questions the psychological toll war exacts on all that it touches