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Some Boys Don’t Leave is the story of what happens when the break-up happens but the break does not. ‘Boy’ is forced to come to terms with the fact that ‘Girl’ no longer wants him around. The only problem is he just can’t seem to leave their once shared apartment. ‘Girl’ decides to keep living her life around him; while he remains, watching at a distance. In time, each decides to go in his or her own distinctly different directions. ‘Boy’ soon finds that sometimes the greatest distance we are asked to travel is one within ourselves.
The fears and resiliencies within a group of teenage refugees from Ukraine are uncovered in this film that brings the camera steps away from the front lines to the Ukraine-Poland border.
Semih’s girlfriend suddenly breaks up with him. In search of answers about their relationship, he must soon confront what he had long ignored.
An American artist’s obsession with a disturbing urban legend leads her to an investigation of the story’s origins at the crumbling estate of a reclusive painter in Ireland.
Elderly crook Harry Denton, when challenged to prove he is “not past it,” decides to kidnap Sheila Farlane, the 16 year old daughter of a famous actor. When Harry loses his nerve, Sheila won’t let him give up.
An Edinburgh travel agent loses his keys and his fiancé in one night. A friend finds the keys and makes loads of copies with his address attached as a joke. She gives them to him as he leaves for a holiday. He gives the keys to several women he romances across the continent. He gets engaged again by phone and arranges to meet his fiancé at his flat, but the flat isn’t empty…
Seventeen year old Tanya’s plans for a carefree summer are derailed when her stressed-to-the-limit mom takes off for a wellness retreat and puts Tanya and her three siblings in the charge of a crotchety (and racist) old babysitter. The babysitter’s sudden death leaves the kids short on cash and reluctant to pull mom prematurely out of her much-needed R&R, so Tanya is forced to get a job. Posing as an adult, she gets a gig as the executive assistant at a fashion company and overnight is thrust into the world of adulthood and parenting.
A group of friends are having a party on a boat. In the distance, a small town watches them in silence. Suddenly, one of them is seriously injured and the group approach the village for help. No one attends, the few inhabitants they find order them to be quiet and disappear into the darkness. The group split for help and strange and terrifying things start to happen, some of them are killed in terrible circumstances. Those who still live, increasingly terrified, discover the reason for all these murders. If they want to leave the village alive and the house where they are locked, they will have to survive in absolute silence.
A violent breakup leaves one man dead and a group of friends dispatched into the desert to dispose of the evidence. Friendships are tested as the group push the boundaries of what can be done in the name of being there for a friend.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don’t approve of him at all. Their daughter takes offense at this, and in the ensuing argument she storms out of the house determined to live on her own.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don’t listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Amedeo and Ofelia, middle aged brother and sister, own jointly an old decadent, but still attractive, condominium. They want to sell it, but before they have to evict all the tenants. Of course, these don’t want to leave at all. The cat (Il Gatto), mascot and beloved by all, dies and this gives the two an excuse to enter the tenants’ life. Amedeo starts to court the young Wanda and Ofelia seduces the priest Don Pezzolla. In the meantime police is looking for the cat killer…
Rome, summer 1943. Four children play war while the bombs of real war explode around them. Italo is the rich son of the Federal, Cosimo has his father in confinement and an atavistic hunger, Vanda is an orphan and a believer, Riccardo comes from a wealthy Jewish family. They are different but they don’t know it and between them “the greatest friendship in the world” is born, impervious to the divisions of history that bloodies Europe. But on October 16 the Jewish boy is taken away by the Germans together with over a thousand people from the Ghetto. Thanks to Italo’s father Federale, the three friends believe they know where he is and, to honor the “spit pact”, decide to leave in secret to convince the Germans to free their friend. Yet another imaginative mission becomes reality, the three children travel alone in an Italy exhausted by war, among disbanded soldiers, deserters, occupying German troops, exhausted and hungry populations.
Andrey Pavlovich Buzykin, who makes a living by teaching at an institute and translating English literature, is cheating on his wife. Buzykin’s main problem is that he’s a kind man with a weak character. The lies he is telling his wife all the time are inconvincing, but he never has the courage to tell her the truth. His lover, Alla, is aware of his family life, but gets offended when, for example, he cannot meet her so that he doesn’t come home late, or when he doesn’t want to go home in a new jacket she gives him to avoid having to explain to his wife. Alla and Nina, Andrei’s wife, both leave him, forgive him, and return to him at the same time, and Andrei continues with this kind of life, full of suffering and deceit. Finally, both women are so fed up with his lies that they don’t believe him even when he is telling the truth…
As viable water is depleted on Earth, a mission is sent to Saturn’s moon Titan to retrieve sustainable H2O reserves from its alien inhabitants. But just as the humans acquire the precious resource, they are attacked by Titan rebels, who don’t trust that the Earthlings will leave in peace.
Rahim is in prison because of a debt he was unable to repay. During a two-day leave, he tries to convince his creditor to withdraw his complaint against the payment of part of the sum. But things don’t go as planned. Is he truly a hero?
A recent college graduate and his friends are forced to lower life expectations when they leave school for the real world. Life after college graduation is not exactly going as planned for Will and Jillian who find themselves lost in a sea of increasingly strange jobs. But with help from their family, friends and coworkers they soon discover that the most important (and hilarious) adventures are the ones that we don’t see coming.
Returning home with his father after a shopping expedition, Wong Fei-Hong is unwittingly caught up in the battle between foreigners who wish to export ancient Chinese artifacts and loyalists who don’t want the pieces to leave the country. Fei-Hong must fight against the foreigners using his Drunken Boxing style, and overcome his father’s antagonism as well.
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does – and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts – some, like Louis, who claim to have wandered in looking for choir practice, who don’t call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child – as they talk about their lives at the meeting
After going broke, Gwen Stevens is forced to return to her abandoned childhood home hoping to pick up the pieces of her life. Among the relics and memories of her past, she discovers someone is living in the house and they don’t want to leave. In the New Mexico desert, miles from safety, Gwen must fight to protect the only thing she has left. Her life.
Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.
When Sarah leaves a party without saying goodbye, her friends deal with an unexplained tragedy by retracing her steps that night. Their search can bring them together, but only if blame and guilt don’t tear them apart first.
Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…
