Dolores Claiborne was accused of killing her abusive husband twenty years ago, but the court’s findings were inconclusive and she was allowed to walk free. Now she has been accused of killing her employer, Vera Donovan, and this time there is a witness who can place her at the scene of the crime. Things look bad for Dolores when her daughter Selena, a successful Manhattan magazine writer, returns to cover the story.

Dolores Huerta bucks 1950’s gender conventions by starting the country’s first farm worker’s union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.

Dolores lived the life of a higher-class student until her best friend was found brutally murdered. Two years later, she’s the only indicted suspect for a crime that attracts a lot of media attention and has placed her in the center of the public eye. Dolores spends her days preparing for the trial, secluded in her house as her parents work as a team ready to do anything to defend their daughter. The best lawyer is not enough, they obsessively control around her: how she looks, what she does, eats and who she sees. But as the trial moves forward and pressure grows, suspicion and secrets emerge within the family. Cornered, increasingly isolated and just when any mistake could prove disastrous, Dolores puts the entire strategy at risk.

After her father is killed by an outlaw, Dolores marries Peter. While they’re at sea in the Arctic, Dolores meets the ship’s captain, who is the man who killed her father. The captain causes an ‘accident’ to happen to Peter, so Dolores is all alone and defenceless as they drop anchor in a remote harbour.

El Malo, notorious Mexican bandit, forces the Mayor of Sierra Blanca, Seth Landport, to open the safe and turn over to him 2,000 pesos, which the bandit gives a promissory note for to the Mayor. Seth rushes to the cantina where Sheriff Rankin is drinking, and the sheriff posts a reward for the capture of El Malo. El Malo informs his men of the reward. The bandit and his sidekick, Pedro, visit the cantina where Pedro resumes a former acquaintance with Dolores, while El Malo has his attention directed to a tango being performed by Carmita. El Malo pushes her dancing partner aside and finishes the dance with Carmita. Since Seth’s description of him is not accurate, El May visits the sheriff and promises to deliver the wanted bandit to the cantina the following night. THe following morning, El Malo and Pedro depart, and, halting their horses on a hill, view the stagecoach being held up by a trio of outlaws.

On the run from a U.S. Senate investigation, New York mob boss Don Luciano (John Vernon) flees to his Canadian hometown and old flame Dolores (Margot Kidder) in this kooky, disorganized crime caper. Luciano soon discovers his long-lost son and tries to teach him the tricks of the trade. Meanwhile, Luciano’s bumbling right-hand man (Albert S. Waxman) — who’d like to become the boss himself — has put a contract on Luciano.

Barbers Willy Nilly and Hercules Glub have opened a barbershop in an Indian reservation, where they have no customers. When suddenly a white man asks for a shave, several Indians of the Oopadoop nation also enter, hearing the usual barbershop banter about foreign debts, they force them to be ambassadors of their nation at the Peace conference in Geneva. Ammunition industry executive Winkelreid is scheming to prevent their mission becoming an success, but the vamp Dolores aboard the ship fails, falling in love with Nilly, and so does Fifi, the toughest person of the world in Paris, falling for Glub. Although Winkelreid is able to steal their secret papers, Nilly and Glub don’t give up after being reminded by constant observation of their Indians and enter the Peace conference, which turns out to be a battlefield…

Siblings Dolores and Isaac were known as the town’s prostitutes But when a corrupt police officer holds them captive, they are forced to make a young girl named Lydia, the town’s newest prostitute.

In 1999, teen Rocío Wanninkhof is murdered. Her mother’s ex-partner, Dolores Vázquez, is suspected. Did she do it? A second victim reveals the truth.

The film follows 24 hours in the life of father and daughter Leo and Molly as she grapples with the challenges of dealing with her father’s chaotic mental state. But as they weave their way around New York City, their ordinary but stressful day takes on a hallucinatory and epic quality, for Leo is seamlessly flowing in and out of several parallel lives; a passionate marriage with his childhood sweetheart Dolores in Mexico; a struggling career as a drummer in Manhattan with his more successful lover, Adam; and a life of solitude on a remote Greek island, where a chance encounter with two young tourists unmasks the uncomfortable truths of a family life left behind…

A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.

Naive American engineer Howard Graham (Joseph Cotton) is taken by a fellow employee to an Istanbul nightclub, where he becomes attracted to dancer Josette Martel (Dolores del Rio). An attempt to murder him results in the death of an unfortunate magician instead.