After a chance encounter, Anna and Owen are forced to quarantine for twenty-eight days.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

Inspired by events that took place in Massachusetts, Delphine and Muriel Coulin’s provocative debut focuses on a group of bored teenage girls who all make an irrevocable pact. When Camille (Louise Grinberg) accidentally becomes pregnant, she encourages her friends and fellow high school classmates to follow suit. It’s only a matter of time, before 17 girls in the high school are pregnant and the town is thrown into a world of chaos. Set in the writer/directors’ small, seaside hometown of Lorient in Brittany, 17 Girls is a reflection on adolescence, body image, friendship and the perplexing realities of growing up.

In this Seattle-set police thriller, a police detective tries to bring a band of adolescent arms dealers to justice. He manages to capture one, but he is under-age and cannot be prosecuted as an adult. Meanwhile someone is quietly slaughtering the youth’s gang mates, leaving the police detective to try to save him from the same fate.