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Django returns home to find out that his father has been killed, by local bandits, in a business deal gone wrong . He swears revenge and a mixture of lone gun men, gang members and bandits get involved with the search for a pouch of money, missing from the ill-fated deal.
In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah – now a grown woman – wants Django to leave fearing he’ll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.
Django comes to town to discover that his brother Steve, accused of robbing a bank, has been lynched. Django believes the real culprit is Sartana and challenges him to a duel. Just in time he discovers that the author of the crime is an important local figure and Django and Sartana join forces to punish him.
A schoolteacher arrives in town with the map to a gold mine. The lesbian dance-hall owner schemes to steal the map.
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
Several hundred years after the Battle of Dannoura, the Genji and Heike clans face off again in a poor mountain town with a buried treasure legend. A revolver-wielding stranger, a lone gunman, burdened with emotional scars and blessed with incredible skill, drifts into town and crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth. Yoshitsune commands his Genji gang in white while Kiyomori leads his Heike gang in red. Expectations collide as the key players wonder which gang the gunman will join. Dirty tricks, betrayal, desire and finally, love, get jumbled together, as the situation erupts into a showdown.
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn’t know is that Django isn’t hanging the men at all, just making it look like he is, and using the men he saves from the gallows to build up his own “gang” in order to take revenge on the boss, who, with Django’s former best friend, caused the death of his wife years before.
Django Reinhardt, the Roma genius, born to Gypsy parents in 1910, is considered by many to be the single most important guitarist in the entire history of jazz. To honor the 100th anniversary of Django’s birth, one hundred of his disciples, including his grandson David Reinhardt, have gathered together for the Django 100 Centennial Tour — traveling the world to pay homage to this exceptional type-setter who marked the 20th century.
Following the success of his first feature “Django”, Étienne Comar confronts with “Singing Jailbirds” the life in a prison for women with music and its capacity to unite people and a repertoire of international songs.
It’s a movie about Hungover guys that get lost in a death match game: Each year, drunk people are selected to participate in torturous games the morning after a big night out. There’s no sunglasses, no water, and no headache medicine. “The Hungover Games,” a film that manages to merge the premises of both “The Hunger Games” and “The Hangover” … and throw in references to “Ted,” “Django Unchained,” “The Lord of the Rings,” “Carrie,” “The Real Housewives of Beverly Hills” and whatever else crossed the writers’ fevered brains during the probably very drunken “development process.”