After a restless night, Reiner’s doorbell rings. In front of it stands Morten de Sarg, which is actually his death. To his amazement, he is unable to let Reiner die; instead, the doorbell rings again. Sophia has a date with her ex-boyfriend for his mother Lore’s birthday. Together they set out on a journey that ultimately leads them to Reiner’s seven-year-old son Johnny, whom he hasn’t seen for ages – all under the strict supervision of God and Archangel Michaela.

Kimberley Traditional Owners question what meaningful negotiation looks like and offer humanising portraits of those at the centre of this battle in Australia’s spectacular north-west corner, which governments aspire to make “the future economic powerhouse of Australia”. With the highest percentage of Aboriginal people living on Country in Australia, what will this mean for the Kimberley’s custodians, lands and cultures, and will they survive these pressures?

Wonderville’s favorite problem-solving duo, Pinkfong and Hogi, assemble a group of friends to produce their first-ever live concert on the big screen. They are coming to the theaters for Pinkfong and Baby Shark fans around the world to give them an unforgettable experience to engage and interact with the Wonderstar characters. Pinkfong Sing-Along Movie 2: Wonderstar Concert is a sequel to the movie Pinkfong & Baby Shark’s Space Adventure (2020), which ranked 5th most-watched movie in Netflix Today’s Top 10 in the U.S. Come and enjoy the live concert and sing-along to Pinkfong’s most popular songs, including the Baby Shark song from the No. 1 most-viewed YouTube video “Baby Shark Dance” with 11.5 billion views, as well as the exciting T-Rex song, the spooky Halloween song, and the refreshing fruit juice song!

Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that “a cook has no time for affairs of state”. She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.

Following the roots and evolution of racist concepts in the United States in order to understand today’s society.

While best known today for having composed the ending to Puccini’s unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand’s drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.

Despite rich and varied origins, there is one name which can be credited with single-handedly shaping the way we understand science fiction today as a genre. It was Hugo Gernsback who stuck his hand into the soup of early 20th century pulp literature and fished out science fiction – giving it its name and a clear definition, turning it into a genre that anyone could engage with.

Integration Report 1, Madeline Anderson’s trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

This powerful, nuanced portrait arrives just in time celebrate the bicentennial of American abolitionist and political activist Harriet Tubman. Parts of her story are well known; born into slavery, Tubman escaped and subsequently made some 13 missions to rescue approximately 70 enslaved people, including family and friends, using the network of anti-slavery activists and safe houses known as the Underground Railroad. But the film delves deeper, illuminating her spirit and strength through exploits as a union scout and spy during the Civil War, an activist for women’s suffrage and a singular figure who defied categorization at every turn. The foremost chronicler of the Black experience working in nonfiction film today, Stanley Nelson, alongside co-director Nicole London, brings rich, deeply researched historical detail to the story of this remarkable woman.

Själö means ‘the island of souls’, and no name could be more fitting for the island in the Baltic Sea, which for centuries was a last stop for women who were considered social outcasts – and who are today forgotten. They were forcibly placed in a closed institution to be studied, measured and weighed – exactly in the way that nature itself was starting to be examined around the same time. Today, the place is a research centre. A young female scientist collects samples on the island, while the whispering voices of the past and never-sent letters echo in the empty hallways.

Ludwig II of Bavaria, more commonly known by his nicknames the Swan King or the Dream King, is a legendary figure – the handsome boy-king, loved by his people, betrayed by his cabinet and found dead in tragic and mysterious circumstances. He spent his life in pursuit of the ideal of beauty, an ideal that found expression in three of the most extraordinary, ornate architectural schemes imaginable – the castle of Neuschwanstein and the palaces of Linderhof and Herrenchiemsee. Today, these three buildings are among Germany’s biggest tourist attractions. Dan Cruickshank explores the rich aesthetic of Ludwig II – from the mock-medievalism of Neuschwanstein, the iconic fairytale castle that became the inspiration for the one in Walt Disney’s Sleeping Beauty, to the rich Baroque splendour of Herrenchiemsee, Ludwig’s answer to Versailles. Dan argues that Ludwig’s castles are more than flamboyant kitsch and are, in fact, the key to unravelling the eternal enigma of Ludwig II.

In 1833, when the fledgling Belgian kingdom still fears a Dutch invasion, recruits were selected annually from an age cohort by a draw of lots in each locality. In this grim, then contemporary drama by the ‘father of Flemish literature’, Hendrik Conscience, Jan Braems, a poor and naive farmers-boy, accepts the not uncommon offer by a rich family to sell his lucky ticket (out) to their son for a hefty sum compared to the miserable labor wages at the time. Army life is even harsher then a farmhand’s, especially for a Dutch-speaking an-alphabet who simply can’t understand his francophone superiors, and Jan’s nature is not complacent enough for military discipline even by todays standards, so he soon gets into all kinds of trouble, including gambling his capital away and a venereal disease. When his girlfriend back home goes looking for him, her life is doomed as well.

Seit 999 Jahre lebt der Berggeist Rübezahl tief unter der Erde im Riesengebirge. Niemand hat ihn seither gesehen. Doch als er erfährt, dass die Menschen nicht mehr an ihn glauben und dass Habgier und Ungerechtigkeit herrschen, steigt der Herr der Berge hinab ins Tal, um den Menschen mit seinen Zauberkräften eine Lektion zu erteilen. Einen Knecht, der sein altes Pferd zu Tode schindet, spannt er vor den Wagen und gibt ihm die Peitsche. Das Gold des reichen und geizigen Vetters Klaus verwandelt der Berggeist in Steine. Auf seiner Wanderung hungrig geworden, kehrt Rübezahl in Gestalt eines Fuhrmanns in einen Gasthof ein. Als der gefräßige Wirt ihm vor lauter Gier die Hälfte der bestellten Rühreier vom Teller nascht, fordert Rübezahl die bereits bezahlten Eier zurück…

Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.

The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

This is the untold story of the personal battles that gave rise to the multi-billion dollar video game industry. Brought to life by Academy Award® winning director Daniel Junge, this documentary is a tale of brilliant innovations, colossal failures, and ego-driven rivalries on a massive scale. It is a 50-year-long, multi-generation epic featuring corporate coups, industrial espionage and the promise of unimaginable riches being just one cartridge away. Told in chronological order and featuring the sons of the brilliant inventor of the first video game console, Ralph Baer, the co-founder of Atari, Nolan Bushnell, and many more experts in the gaming industry, this documentary highlights the programmers, engineers, management and business practices they followed to compete against each other and become the gaming tycoons we know today.

Six years ago, Robert Kenner, a mild mannered postman from Peckham, South London was struck by a meteor which bestowed him with super powers. Today, Bob is an overworked under-appreciated “civil servant” for the British government. He spends most waking hours saving people and filling out forms. There has been no time for anything else. Least of all love. But today he has a day off. And best of all, he has a date with the woman he once met at the library. Now all he has to do is act as if this isn’t the most exciting day of his life. Apparently that puts people off.

The “Tucci” are a poor Italian family living in a small village in Lazio. Father, mother, a conceited daughter and a genius son, forced to pretend being stupid to keep up with the family. One day something unexpected happens: the family wins one hundred million Euros. Excited, they decide to keep the winning a secret, but as soon as a single word slips out from the mouth of the householder, they only have one choice to avoid being persecuted by friends and acquaintances: run away. They leave at night, heading to Milan. They will realize as soon as they arrive that today’s rich people behaves very differently from the past, and being rich has become a real bother… this discovery will make things way different from what Tuccis’ expected.

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

Today in the United States, by the simple acts of feeding ourselves, we are unwittingly participating in the largest experiment ever conducted on human beings. Each of us unknowingly consumes genetically engineered food on a daily basis. The risks and effects to our health and the environment are largely unknown. Yet more and more studies are being conducted around the world, which only provide even more reason for concern. We are the oblivious guinea pigs for wide-scale experimentation of modern biotechnology. GMO OMG tells the story of a fathers discovery of GMOs in relationship to his 3 young children and the world around him. We still have time to heal the planet, feed the world, and live sustainably. But we have to start now!

Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler. A true story based on interview transcripts and records from the James Bulger case which shocked the world in 1993.