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Following the Sunnyboys’ enigmatic frontman Jeremy Oxley from the band’s origins, breakthrough success and his subsequent 30-year battle with schizophrenia, The Sunnyboy is one man’s inspired story of survival and hope. A meditation on a condition often stigmatised and misunderstood, Kaye Harrison’s documentary buries below the surface of Oxley’s public “identity” to explore his own reality and battle to maintain “self”. Secure in a loving relationship with his partner Mary, Oxley slowly emerges from his solitary torment to join the world we all share. The film follows him as he tentatively unpicks his confused thoughts and feelings about the past with his brother Peter. From his struggle with the physical effects of years spent self-medicating to his hopeful contemplation of a married future and a daring return to the stage, The Sunnyboy is the definitive documentary of Jeremy Oxley’s journey from the Sunnyboys and back.
When Mary and her teenage son, Fergal, move to yet another new home, it soon becomes clear they live their lives on the run, hiding from someone or something, terrified of being found. Their hunter, Cathal, soon picks up the trail. Intent on tracking Mary and Fergal, he will go to any lengths to succeed in his quest, often using dark arts to aid him. Mary’s only defence is to use an ancient form of her own magic to protect her only son. When local residents begin to be brutally murdered by an unknown life force, the sense of fear escalates. Is Cathal the beast responsible for the killing? Or is it the beast that he is trying to destroy?
When the CIA’s most skilled mercenary known as Court Gentry, aka Sierra Six, accidentally uncovers dark agency secrets, he becomes a primary target and is hunted around the world by psychopathic former colleague Lloyd Hansen and international assassins.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
Shotgun Jimmy is a nasty piece of work. Ripping off drug dealers, killing policemen, he’d decapitate his own grandmother for a sack full of loot. Schizophrenic, psychopathic, his only friend is Mary the Shotgun – his trusty, reliable pump-action. But during a violent road-rage incident, something goes horribly wrong and Jimmy finds himself chained in shackles in a dark, grimy dungeon where he ponders over a deeply buried secret past… Tomas Sorescu’s been a bad man. He likes his whiskey. And brandy. Vodka, rum or gin? Hell, he’ll drink petrol if it isn’t nailed down. Only now he’s done a rather silly thing. He’s crashed his car – and killed his wife and little girl in the process. Tomas feels pretty bad about the situation. So bad, in fact, he needs another drink. But then it gets worse as a tall, powerful, gas-mask wearing figure pulls Tomas from the wreckage and introduces him to a special place… Sophie Scott is a successful career journalist in the sleepy village of Ramsbottom.
Stranded in the suburbs, student filmmaker Chloe begins to make a documentary about her family’s troubled past. Whilst filming, she and best friend Ed, witness an hysterical girl appearing to escape from a neighbour’s house, only to be quickly dragged back inside again. Is she a recovering drug addict like the neighbours say? Or is she really in danger from those who claim to be caring for her? Chloe and Ed begin to run surveillance, but as they dig deeper, they find themselves caught up in a world of strange beliefs, old religions, and dark witchcraft. Their search for the truth will climax in a live webcast that will terrify and make those watching question the very authenticity of what they are seeing. Webcast is inspired by a wealth of films from both the horror and thriller genres, including Rear Window, The Wicker Man, The Blair Witch Project, Rosemary’s Baby, Paranormal Activity, and Race with the Devil.