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Adapted from William Shakespeare’s epic tale of honor, ambition, betrayal, hubris, and the supernatural. The story follows the downfall of Rome’s most honored citizen, Marcus Brutus, as he conspires to assassinate Julius Caesar, in order to forestall tyranny and preserve democracy.
Hamlet captures the Almeida Theatre’s 2017 acclaimed production of William Shakespeare’s great play, recorded as-live in its West End transfer on the stage of London’s Harold Pinter Theatre. Robert Icke’s innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott’s ‘career-defining performance… he makes the most famous speeches feel fresh and unpredictable.’
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
An adaptation of William Shakespeare’s Titus Andronicus set in contemporary New Delhi. The Hungry is a contemporary retelling of Shakespearian tragedy Titus Andronicus, set in the extravagant surroundings of an Indian wedding whilst exploring the role of the patriarch and corruption in Indian politics and big business.
In director Baz Luhrmann’s contemporary take on William Shakespeare’s classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard’s dialogue remains.
Struggling actor Wayne Wenders (Eric Mabius) is comically famous for starring in a low-budget commercial for Irritable Bowel Syndrome medication, a reputation he is hoping to change when he finally lands a starring role in a national root beer ad. But when the paycheck for his big break is delayed, Wayne looks for other options to pay his increasingly late rent and ends up interviewing for a gig teaching Shakespeare at the local high school. Principal Brenda Post (Stefanie Powers) hires Wayne for his natural theatrical talent and enthusiasm, but Wayne is soon surprising himself with his love of the job—and for fellow English teacher Amy (Virginia Williams), who is immediately impressed with Wayne’s passion and his idea to teach the students with an exciting film project. As Wayne’s understanding of teaching develops and his relationship with Amy evolves, he must ultimately decide if his dreams of stardom are really worth sacrificing everything for.
Returning to their lord’s castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit’s prophecy comes true, Washizu’s scheming wife, Asaji, presses him to speed up the rest of the spirit’s prophecy by murdering his lord and usurping his place. Director Akira Kurosawa’s resetting of William Shakespeare’s “Macbeth” in feudal Japan is one of his most acclaimed films.
A modern-day movie adaptation of William Shakespeare’s “A Midsummer Night’s Dream”. The new version takes place in present-day Hollywood where fantasy and reality collide. It’s set in a world where glamorous stars, commanding moguls, starving artists and vaulting pretenders all vie to get ahead.
