In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

Anita, Rita, Ricardo and Andrés have been attending a school for children with Down syndrome for 40 years. After all this time, they are starting to tire of this safe, familiar environment. Now over 45 years old, some of them feel that working in the school bakery is no longer a challenge. They also yearn for freedom on a more personal level. Anita and Andrés are in love but still live with their families. They dream of finding a quiet place to be alone together, and they want to get married and raise a family. Sadly, the society they live in is not equipped to cater to their desire for more independence. In spite of the training they receive on becoming “responsible adults,” all four of them remain dependent on others to make decisions for them, much to their frustration.

Andrés and his son Pedro live in a working district of Caracas and hardly ever see each other. While Andrés fills his time doing different jobs, Pedro wanders the streets playing with friends and learning from the violent atmosphere around him.

Ricardo and Andres are brothers who decide to break with routine and take a trip that will change the way they view and live their lives. A mixture of good and bad decisions bring them face to face with death; to survive, they will have to decide what is more important: love among brothers or the love of a woman; honor and justice, or the easy life.

The sequel to one of the most loved Estonian comedy films Class Reunion 2: A Wedding and a Funeral sees the return of the three high-school friends Mart, Andres and Toomas. This time they are planning a memorable stag party for Toomas, but due to unexpected turn of events end up at a funeral instead. It has been a year since the unforgettable class reunion and our three friends have all reached new stages in their lives. The rock star Toomas (Genka) has finally decided to get married. Mart (Mait Malmsten) is having troubles with his wife. And Andres (Ago Anderson) has declared war on the female sex and decided to become a resolute bachelor.