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Five women trapped in an elevator confess their bitter life experiences caused by evil men and society.
“I’m known to be a feminist, but I don’t do male bashing, because I think men and women need each other, and all we need is a new equation: love and mutual respect.” – Aruna Raje. CineVedas Inc. presents Women Beyond Bollywood, a film in which women filmmakers in India are challenging Bollywood’s misogynistic tropes, venturing into taboo territories with dramatic, realistic, and subversive films. In Women Beyond Bollywood, director Rahila Bootwala meets with some remarkable women, from doyennes of Indian cinema to vibrant emerging filmmakers. She meets three generations of women who are reshaping the film industry and taking controversial stances on religion, sexuality, marriage, and other taboo subjects. “Women Beyond Bollywood” has opened at the Indian Film Festival (Melbourne, Australia), Tasveer South Asian Film Festival (Seattle, U.S), Through Women’s Eyes (Florida, U.S), La Femme International Film Festival (Los Angeles, U.S), Chicago South Asian Film Festival (Chicago, U.S).
The son of a notorious hangman is gradually becoming insane and he finds himself unable to resist the urge to strangle women to death.
A masked killer stalks an institution for mentally disturbed rich women.
Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
Das Wassup follows the band ‘Yo Majesty’ through its trials and tribulations as they are making it in the music industry and not. The Band consists of three vocalists from Tampa, Florida, the producer team and record label is from the UK. The three lead women of the band had difficult upbringings and they fought hard to establish themselves as open out lesbians. Their compassion, fiery passion and authentic voices charm audiences.
“The Dine and Dash” diner has a stack of mounting unpaid bills, forcing its owner, Desi to sell her beloved, mint condition, cherry red 1964 Ford F-100, a gift from her deceased father. As Desi visits the vintage truck one last time, she discovers a recorded message from her dad on an old audio cassette. Desi’s Dad’s voice sends her and “Old Red” out to retrace her family’s most memorable moments one last time.
Kate Burns is looking for the perfect match online when she swipes and meets Walker Stevenson, a wealthy jet-setting art dealer. After Kate falls for the dashing dealer, she learns Walker is a hustler who cons women out of their money.
Made by Carlton Television for ITV (UK) , this adaptation of Laurie Lee’s autobiographical novel follows a young man’s maturation in the country town of Gloucestershire near the end of World War I. As young Laurie (Dashiell Reece) comes of age under the protective eye of his mother (Juliet Stevenson), he learns to live with an eccentric collection of friends, neighbours, and relatives. As he enters his teenage years, Laurie (now played by Joe Roberts) discovers women, specifically Rosie Burdock (Lia Barrow). Veteran screenwriter John Mortimer adapted Lee’s book, with Lee narrating.
Denise is a beautiful country girl whose life is filled with joy and love for her handsome boyfriend, Freddy. But living in an idyllic existence soon bores her, and she is off to the big city to experience the glamour and glitz for herself. She meets Frank, a dashing nightclub owner who takes her under his wing. But she doesn’t take kindly to the fact that she’s just one of his stable of women and must choose between the big city life and her dreary farm life.
A feature documentary about badass women that rely on each other as they fight fire and gender-based discrimination.
In Moscow 1953, four terrified women prisoners are brought before Joseph Stalin, who chooses the beautiful Dasha. He punishes her by shaving off her long hair. Moments later, a plastic surgeon leads Stalin into the operating room and transforms his face so that he is unrecognizable. He vanishes, but OSS agent Steve Anderson searches for him in Europe.
General Candy, who’s overseeing an English squad in 1943, is a veteran leader who doesn’t have the respect of the men he’s training and is considered out-of-touch with what’s needed to win the war. But it wasn’t always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.
It is the winter of 2018, the men and women of the UAE military are deployed to provide aid. At the Mocha Base, spirits are high as three Emirati soldiers anticipate an imminent return home. While on their final routine patrol, the three soldiers, Ali, Bilal and Hindasi are ambushed by heavily armed militants on their route, through a narrow canyon. Trapped, wounded, and out of communication range, the three soldiers realize the gravity of their situation. They are running out of options, munitions – and time. Back at the base, their commander receives word and realizes that the assault on the UAE army patrol was premeditated. A rescue mission is quickly put into action, but will air and land support reach the men in time, and will they survive?
After surviving a worldwide pandemic, two men with different agendas, two women from a survival colony, and young girl and a man each form alliances as they cross post-apocalyptic landscapes.
Vancouver-based voice artist Ashleigh Ball has been the voice of numerous characters in classic cartoons such as Care Bears, Strawberry Shortcake, Cinderella and more. When Ashleigh was hired to voice Apple Jack and Rainbow Dash for Hasbro’s fourth series to use the My Little Pony name – My Little Pony: Friendship Is Magic – she had no idea she would become an Internet phenomenon and major celebrity to a worldwide fan-base of grownups. Bronies are united by their belief in the show’s philosophy. This documentary gives an inside view of the Pony fan-world, and an intimate look at the courage it takes to just be yourself…even when that means liking a little girls’ cartoon.
Three beautiful women (Electra, Dash, and Fox) who have had their share of men trouble enter into a game of fun in which they choose a random guy and film each other seducing him so as to use the footage later to humiliate him. But problems arise when the random man is in on the joke.
Documentary that delves deep into the history of abortion law, revealing the contradictory ways in which women’s bodies have been used to further political and ideological agendas.
For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?
Karmageddon is an investigation of contemporary Western spirituality in the wake of the 1960s. It follows Bhagavan Das, an American whose spiritual journey to India in 1964 would shift American spirituality. He mentored Ram Dass, the Harvard psychology professor fired with Timothy Leary for their experiments into LSD. He inspired the book ‘Be Here Now,’ a key document of 20th century spiritual literature that brought Eastern practices to the West. Since the 1960s, Bhagavan Das has worked as a kirtan chanter and guru. He has also slept with over 500 women while at times dropping his spiritual calling to sell used cars and encyclopedias. The film follows one of his devotees as he attempts to navigate the gap between 1960s and contemporary spirituality.
Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
