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The film tells the story of documentary filmmaker Michael King (Shane Johnson), who doesn’t believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.
For some reason, forever young and always immaculately dressed, Koschey has been unable to find a bride for three hundred years. He intimidated, and kidnapped, and turned various princesses into frogs, but these courtship did not help the prince of darkness. Meanwhile, the beautiful hero Varvara only does what she fights off in the arena from suitors who covet her dowry. However, having taken possession of the Koshcheev needle, Tsar Peas figure out how to get to Varvara. But he didn’t take into account one thing – although Koshchei’s death is enclosed in a needle, love can still come to life in his heart
Claire and Anna are cousins who share a mysterious connection to a dark family secret. Following the death of Clare’s grandmother, ancient spirits are unleashed and the women must do battle with ‘Lilith’, a malevolent female spirit who has returned to claim possession of Anna’s unborn child.
HELLBOX is a paranoid supernatural thriller about a shadowy conspiracy against humanity that stretches across five centuries. It’s told through interweaving storylines in which assorted people (knights from a holy brotherhood, a group of college girls, a suicidal psychiatrist, and a haunted couple with their own dark secrets) see their lives horribly changed when they come into possession of an ancient, mysterious box… Some say it holds a piece of Hell.
The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
The film centers on a random act of theft that has put Tom Hammond’s life into a tailspin. Stolen from his bookshop is Tom’s most treasured possession, a photograph of him with his son Luke…their last moment of shared happiness. The Last Photograph is set between London in 2002, and a dark night in 1988 when Pan Am 103 was blown out of the sky over Lockerbie.
In this darkly romantic ghost story, a woman travels to an isolated cabin where she is stalked by an apparition who inhabits her space as his own. With the unexpected arrival of the woman’s boyfriend, the dark spirit’s haunting grows obsessive. Soon the woman begins to exhibit weirdly irrational behavior as the thin line between sanity and possession begins to unravel. Is she battling her inner demons, or is a much darker presence threatening them all?
Wanting to escape city life for the countryside, New Yorkers Cooper Tilson (Quaid), his wife Leah (Stone) and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owner (Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate’s dark and lurid past
Dr. Daniel Challis and Ellie Grimbridge stumble onto a gruesome murder scheme when Ellie’s novelty-salesman father, Harry, is killed while in possession of a strange mask made by the Silver Shamrock mask company. The company’s owner, Conal Cochran, wants to return Halloween to its darker roots using his masks — and his unspeakable scheme would unleash death and destruction across the country.
A mysterious global blackout yields countless populations to simply vanish, leaving only their clothes and possessions behind. A small handful of survivors band together in a dimly-lit tavern on 7th Street, struggling to combat the apocalyptic horror. Realizing they may in fact be the last people on earth, a dark shadow hones in on them alone.
In the mythical Elven world of Altera, an epic battle unfolds between the beautiful Princess Liya and the Dark Elf Elena, who has gained possession of a jewel so powerful it allows its holder complete authority over all Alterans.
Two Egyptologists, Professor Fuchs and Corbeck, are instrumental in unleashing unmitigated horror by bringing back to England the mummified body of Tara, the Egyptian Queen of Darkness. Fuchs’s daughter becomes involved in a series of macabre and terrifying incidents, powerless against the forces of darkness, directed by Corbeck, that are taking possession of her body and soul to fulfill the ancient prophesy that Queen Tara will be resurrected to continue her reign of unspeakable evil.
Deep in the Pennsylvania hills, a cemetery for those who died during exorcism remains a dark secret for the church. In 1671, hundreds of men, women, and children suffered in bloody, torturous rituals at the hands of priests unable to contain the evil of the possessed. Were these possessions real, or is the story a hoax to cover up the sins of the deranged priests thirsty for human blood? Bill and his team of cynical paranormal investigators plan to find out the truth. Armed with the church’s historical record, they set out into the wilderness to uncover this series of forgotten atrocities. Alternately gut-punching hilarious and brutally violent, The Cemetery takes the best elements of the old-school slasher film and pushes them to the edge.
