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To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.
Green Days by the River is one of the most best-loved works of Caribbean literature. Written by lauded Trinidadian author Michael Anthony in 1967, the book illuminates the formative years of a boy growing up on the island. This coming of age story has enthralled readers all over the world for decades, and it is now being brought to life . For the first time, this beloved tale will be brought to film screens, introducing a whole new generation to the wonder of a country and a boy on the cusp of great change. This film seeks to break new ground in Caribbean film-making, showcasing the rich talent and boundless promise of our people.
Richard Dadier is a teacher at North Manual High School, an inner-city school where many of the pupils frequently engage in anti-social behavior. Dadier makes various attempts to engage the students’ interest in education, challenging both the school staff and the pupils. He is subjected to violence as well as duplicitous schemes.
True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.