Disgusted with the policies of King Charles I, Oliver Cromwell plans to take his family to the New World. But on the eve of their departure, Cromwell is drawn into the tangled web of religion and politics that will result in the English Civil War.

Following the fact-based historical book of the same name, this drama follows the rise of Cromwell as he becomes Henry the VIII’s closest advisor.

England in the 1520s is a heartbeat from disaster. If the King dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The Pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer, and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick’s reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself.

British journalist Trevor McDonald revisits the Cromwell Street “House of Horrors”; one of the most disturbing and depraved crime cases in the UK.

The Cromwell clan live in the real world, except for their grandmother who lives in Halloweentown, a place where monsters go to escape reality. But now the son of the Cromwells’ old enemy Kalabar has a plan to use the grandmother’s book to turn Halloweentown into a grey dreary version of the real world, while transform the denizens of the real world into monsters.

Uptight New York City executive, Michael Cromwell, pursues his soon-to-be ex-wife to South America and returns home with the son he never knew he had — a boy raised in a tribal village in Brazil. Armed with only his blowgun, the 13-year-old Mimi-Siku discovers that the world outside his jungle home is indeed a strange place.

A look at the War on Terror and the threat it’s causing to our civil liberties and political discourse. Academy Award nominee James Cromwell presents Janek Ambros’ directorial debut. The feature doc tackles the War on Terror’s impact on civil liberties and the strange coalition it’s creating between the progressive left and libertarian right. The doc examines the NSA, drones, the war on journalism and other encroachments on civil liberties started by the Bush era and expanded by the Democratic establishment.

When things go bad in Beantown, top assassin Killer Bean is called to clean-up the mess. Detective Cromwell finds himself in the middle between Killer Bean and mob boss Cappuccino.