Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

British intelligence undertook an audacious operation to listen in on the private conversations of 10,000 German prisoners of war without their ever knowing they were being overheard. The prisoners’ unguarded reminiscences and unintentional confessions have only just come to light, and prove how closely the German army were involved in the atrocities of the Holocaust. British intelligence requisitioned three stately homes for this epic task, and converted each into an elaborate trap. The 100,000 hours of conversation they captured provided crucial intelligence that changed the course of the war, and revealed some of its worst horrors, from rape to mass executions to one of the earliest bulletins from the concentration camps. But when the fighting ended, the recordings were destroyed and the transcripts locked away for half a century. Only now have they been declassified, researched and cross-referenced.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself ‘already dead’.

During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper’s debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo’s debut film, as well as script supervisor Joyce King’s.

When a group of young people camping in the ruins of a medieval Turkish town play a party game called ‘Murder in the Dark’, they soon discover that someone is taking the game too far…Produced in an experimental shooting style, this murder-mystery features a cast of actors who were not allowed to see the script. The actors’ choices interactively changed the shape of the story. They had to use clues to solve the mystery laid out before them by the filmmakers.

A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.