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Perry, in an attempt to appease his parents following a series of disruptions, makes the decision to enter into matrimony. Seeking a temporary solution to buy himself more time and outsmart his family, he strikes a deal with Mimi, compensating her to pose as his girlfriend. Both parties willingly enter into a contractual agreement that outlines specific terms and conditions. However, when Perry’s brother unexpectedly arrives and begins to unravel the truth behind their arrangement, a chain of dramatic events ensues.
Lovers living together on a remote island but who are forced to remain physically apart after one of them contracts a virus. Their isolation is disrupted by the arrival of a third person who has immunity and as a result can come into direct contact with both of them.
When a contract killer (Steven Seagal) encounters a girl on the run from a dangerous mob boss (Vinnie Jones) with powerful political ties, running a human trafficking operation, he is torn between protecting the girl, and remaining loyal to the government agency that hired him.
When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife’s connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his “creators” develop a more powerful android to try and defeat him.
Beto is the keeper of a house in Mexico City – empty for several years already – in which he used to work as a domestic help. The solitude of the last ten years, as well the monotony and routine of his job have made him lead a secluded life, which could seem suffocating for most people, whereas for him it provides a safe and stable environment, in contrast to the threatening outside world. He has develop a pathological fear for this world, to the point of limiting his contacts to only two persons: the lady of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confident and a lover. Once he learns that the house has been sold, Beto is confronted to the dilemma of gathering the courage to get out and get a life or find a way of remaining in his confinement.
Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.
A 12-year-old boy and his single mother live separate lives. The boy spends his days alone while his mother works and goes out with her friends. The boy’s solitude is both a source of freedom and a cause for grief. His explorations slowly bring to light the dark contrast between the rules of society and the laws of nature. And before long, the delicate balance of his inner world becomes shattered by unforeseen events.
Mr. Hedges, the somewhat naive and idealistc teacher of the rebellious Class 5C, lobbies to have them allowed on the school camping trip despite much precedent to the contrary. Once on the camping trip Mr. Hedges pursues the local barmaid and the class indulge in their usual activities. A small feud with some stereotypical upper class children in red blazers is resolved with a false rape allegation. A case of some stolen money is resolved through Mr. Hedges trusting the class. At the final dance Mr. Hedges is ensnared in the romantic clutches of Miss Cutforth, contrary to his wishes.
An FBI analyst must build an off-book safe house to get his job back, but his spirited contractor may prove to be more of a problem than a solution
Filmed live during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this is the first authorised Morrissey film for nine years and marks 25 years of the solo career of one of the world’s most iconic and enigmatic performers. The film opens with fans talking about their unwavering devotion to the singer and the unique appeal of this unusual venue – a striking contrast to the sold out arena concert at the Staples Center on the previous night. Tickets to the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on the US Tour. Featuring many classic tracks from the artist’s prolific repertoire including Meat Is Murder, Everyday Is Like Sunday, Please, Please Please Let Me Get What I Want and The Boy With The Thorn In His Side, Morrissey 25: Live is an unmissable cinema event for fans worldwide.
Things have gotten a lot more violent at the farm, and Carl must get to the bottom of it to help Lucy and Darren solve the strange re-occurrences. The DVD and Blu-ray extras have not been completed, and a contract needs to be signed to enable distribution of the behind the scenes. Carl has one last chance to prove his gift as a Paranormal Investigator.
A former soldier, reduced to working at a restaurant post-war, becomes a contract killer for the yakuza gangs he’s in contact with.
A special forces soldier who has given up country, religion, and even hope, must return to the field of battle to track down a reporter he left behind in the middle of an illegal private contracting operation that went dead wrong.
All roads lead to magical, merry Toyland as Mary Contrary and Tom Piper prepare for their wedding! But villainous Barnaby wants Mary for himself, so he kidnaps Tom, setting off a series of comic chases, searches, and double-crosses! The “March Of The Wooden Soldiers” helps put Barnaby in his place, and ensures a “happily ever after” for Tom and Mary!
Pulling his girlfriend Allison (Jennifer Seward) into the whirlwind of his ambitions, Trent (Kyle Dyck) is desperately on the run from contracted hitmen Henry (Brian Paulette) and Tim (Davis DeRock) as he slips into the deep, desolate backroads that criss-cross the empty rolling plains. Along the way Trent stumbles upon Ben (Jeffrey Staab), a nomadic drifter who now calls these roads “home,” along-side his wife Michelle (Christie Courville) as they wander in the vast openness that is the Flint Hills.
An old sanatorium is deteriorating in an isolated forest in the mountains. Five contract workers have taken on the task of tracking the huge building for hazardous waste before it’s demolished. They realize that the job is more than a search for asbestos and mercury when they encounter the building’s frightening past. You can demolish a building, but never remove the past.
A combination of first-person stories and exclusive aerial images, HUMAN is a unique documentary. This sensitive experience is an introspection into whom we are today as a community but also and most importantly as an individual. Through wars, inequalities, discriminations, HUMAN confronts us with the realities and the diversity of our human conditions. Beyond this darker side, testimonies show the empathy and the solidarities which we are capable of. All these contradictions are ours and HUMAN leads us to reflect about the future we wish to give to people and the planet today. Filmed in 60 countries during two years, HUMAN by Yann Arthus-Bertrand draws a portrait of nowaday’s Humanity.
While crossing the desert, a frontier scout, Jess Remsberg (Garner), rescues Ellen Grange (Andersson) from a pursuing band of Apaches, and returns her to her husband, Willard Grange (Weaver). He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller (Poitier), a veteran of the 10th Cavalry (the “Buffalo Soldiers”). The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen’s baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
Five teenage friends set out for the beach on their Spring Break vacation. Good times are cut short when one of the group, Carrie, contracts a deadly sexual transmitted disease during a bathroom stop. When they stop for the night at an isolated motel, the real terror begins when the STD virus starts running rampant, turning those infected into the living dead.
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
The year is 2045, the continuing drug war has caused havoc between The United States government and Mexico. Gear Side International, a robotics engineering company loses a multi billion dollar government contract due to bad practices. On the brink of bankruptcy, they sell off their technology to the Malvado cartel on the black market. With the advanced military robotics technology in the wrong hands. The cartel uses it to their advantage; replacing their enforcers, hit men, and soldiers. The cartel eventually becomes a very powerful threat to The United States
A contract killer takes vengeance against a ruthless drug cartel, resulting in a mysterious puzzle that a small town sheriff must solve in order to stop untold horrors.
In the hope of solving his financial difficulties, Balz Näf (53) a German teacher, living in the town of Baden (Switzerland), comes up with the idea to use streakers for sport-betting. Although he and his team help streaking achieve a new trend-sport status, his financial situation remains unchanged. On the contrary. He falls in love with the agent who has been hired to stop him. In the end there is only one way out: He has to be a man’s man and get on the field himself.
Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don’t think twice before helping them, they are even ready to put their guests off, even to kill them if necessary…
Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.
Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.
