A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of “The Odyssey,” but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

The story of soldier and poet Siegfried Sassoon (1886–1967), who was decorated for bravery on the Western Front, and is best remembered for his angry and compassionate poems about the First World War, which brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirised generals, politicians, and churchmen for their incompetence and blind support of the war.

Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner’s doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.

The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel’s most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.

On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.

A disgruntled summer-stock actor contemptuously disregards the superstition surrounding Shakespeare’s tragedy, Macbeth and, by doing so, unleashes the curse of ‘The Scottish Play’ and wreaks havoc on the company.

Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father’s contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.

Pressured by a greedy uncle (Brian Cox) and a pile of debt, lovable loser Steve Barker (Knoxville) resorts to an unthinkable, contemptible, just-crazy-enough-to-work scheme. He pretends to be mentally challenged to rig the upcoming Special Olympics and bring home the gold. But when Steve’s fellow competitors get wise to the con, they inspire him to rise to the greatest challenge of all: becoming a better person.

The Man of Steel finds himself outshone by a new team of ruthless superheroes who hold his idealism in contempt.

Far away from the civilized world, in the deep isolation of the lonely backwoods, Carl Henry Jessup spends his days in twisted contemplation and hazy reverie of the good old days. His contempt for outsiders keeps him close to his hillbilly family home. Carrying on the family business, Carl keeps an eye out for Grade A meat.

A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace’s status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.

An ambitious young skier, determined to break all existing records, is contemptuous of the teamwork advocated by the US coach when they go to Europe for the Olympics.

A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.

Four inseparable teenagers in a small town in Brittany (France). As lifelong fans of the West Coast, they think are real gangstas. Together as a “gang”, they are invincible, respected, fearless and nothing can reach them, certainly not the teasing and contempt of their fellow classmates. So when Fle-O, the leader of this merry gang, learns that he has to leave his town and his friends at the end of the year, his whole world falls apart leaving him vulnerable when the most popular kid in school decides to make fun of them in front of everyone. Humiliated, our protagonists decide to take their revenge through one last expedition together that will lead them further than they would have imagined. Through incongruous situations and successive meetings, they will grow and learn.

RICHARD’S WEDDING is an ensemble comedy that explores how the most enduring friendships require a mixture of envy, love and ridiculous egomania disguised as self-contempt. Alex and Tuna are on their way to Richard and Phoebe’s wedding, to be reunited with a group of old friends. As they make their trek from Brooklyn to Central Park, they’re joined by an ever-increasing number of friends with their own set of misgivings, self-righteousness, and violently annoying iPhone Apps.

For Robbing the Dead is a story of compassion – compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises – an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste’s sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath’s heart softens and his own sorrows find relief.

Since meeting online, Charlotte and Brandon have fudged, re-imagined, and outright lied about their pasts in an attempt to be each other’s perfect match. Now that they’ve said their “I do’s” they are about to get a funny, hellish, and eye-opening look at just who they’ve vowed to spend the rest of their lives with. Will familiarity breed contempt… or bliss?

Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be’s campaign.