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A vacationing couple’s jeep crashes in an isolated location. They have to fight their way back to civilisation in spite of injuries and dangerous animals.
In this deeply profound and important mockumentary series, Philomena Cunk tells the entire story of Human Civilisation from prehistoric times to the present day, covering all the main bits of History, Science, Culture and Religion. So this really is the last documentary you ever need to watch.
ARMADILLO is an upfront account of growing cynicism and adrenaline addiction for young soldiers at war. Mads and Daniel are on their first mission in Helmand, Afghanistan. Their platoon is stationed in Camp Armadillo, right on the Helmand frontline, fighting tough battles against the Taliban. The soldiers are there to help the Afghan people, but as fighting gets tougher and operations increasingly hairy, Mads, Daniel and their friends become cynical, widening the gap between themselves and the Afghan civilisation. Mistrust and paranoia set in causing alienation and disillusion. Armadillo is a journey into the soldier’s mind and a unique film on the mythological story of man and war, staged in its contemporary version in Afghanistan.
15 years after a global apocalypse, mankind is on the verge of extinction. Civilisation no longer exists, food is scarce and most eke out a living by stealing and killing. One boy clings onto life in the desolate British countryside, where staying away from others has been key to his survival. But this self-imposed isolation comes to an abrupt end when he crosses paths with another group of survivors and faces an enemy far more savage than any of them could imagine.
Three astronomers accidentally intercept what they believe to be a signal from a distant alien civilisation, but the truth is even more incredible than any of them could have imagined.
Talon, the lone survivor of a race called the Blackbloods, sets off to the edge of civilisation to track her family’s killers. On her journey she discovers she has supernatural powers which she must learn to harness in order to achieve her goals.
Planetary presents a stunning visual portrait of our Earth, taking us on a journey across continents: from the African savannah to the Himalayas, and from the heart of Tokyo to the view of our fragile planet from orbit. Through intimate interviews with a diversity of people, from NASA astronauts and environmentalists to philosophers and Tibetan lamas, the film explores our shared future. It suggests that the key to transforming our civilisation lies in an understanding that all life is inseparably interconnected, and that we cannot change the world unless we change the way we see ourselves, our planet, and the wider cosmos we are embedded within.
A few years from now, Earth will have the first contact with an alien civilisation. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
The Civil War has ended, but Colonel Morsman Carver is on one final mission – to kill Gideon, no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes the two men through frigid snow-capped mountains and arid deserts, far from the comforts and codes of civilisation, into the bloodiest recesses of their own souls.
As the Earth wrestles with its agonising birth, the peoples of this barren and desolate world struggle to survive. Driven by animal instinct they compete against the harsh conditions, their giant predators, and warring tribes. When two people from opposing clans fall in love, existing conventions are shattered forever as each tribe struggles for supremacy and Man embarks on his tortuous voyage of civilisation.
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
Eccentric Cambridge archaeologist Horatio Smith (Howard) takes a group of British and American archaeology students to pre-war Nazi Germany to help in his excavations. His research is supported by the Nazis, since he professes to be looking for evidence of the Aryan origins of German civilisation. However, he has a secret agenda: to free inmates of the concentration camps.
In an audacious investigation, Freightened will reveal the mechanics and perils of freight shipment; an all-but-visible industry that holds the key to our economy, our environment and the very model of our civilisation.
After spending the night partying at a condemned river creek, the atmosphere is soon lost for quiet teenager Reece and his friends. Headaches and heartaches give way to a terrifying race back to civilisation as a grossly disfiguring virus takes hold on the most vulnerable.
