Rain pours down on a seemingly deserted city surrounded by thorns. Wolf gargoyles line the towers. Imprisoned in one of the towers a young woman, Veronique, locked away by her evil step siblings. They are the only survivors of a city that went to sleep for 1000 years, kept alive by an army of clockwork servants. The rest of the city s inhabitants lie around them, the decaying dormant. Veronique has a sister, a wolf sister separated from her at birth. Veronique has always had an affinity with the wolf spirits that live in the forest of thorns and soon she will find out why they call to her.

Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.