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A series of teenage gangs struggle against each other in a not-so-distant future. Eventually they united against an evil corporation, as represented by evil CEO Robby Benson who wants to control everything.
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
Zambrano is a young criminal with the only hope of joining the legendary prison American football team known as The Dogs of Santa Martha. His hopes end up involving him with organized crime since The Dogs, who are also known as The 4th Company, a squadron of inmates at the service of the administration that controls the jail, its vice and its privileges. Corruption and crime have no limits; they ravage the city with car thefts, bank robberies and other crimes under the auspices of the authorities, the story takes place during the López Portillo presidency and his men.
The courtroom and publicity battles between the superstar wrestler and the notorious website explode in a sensational trial all about the limits of the First Amendment and the new no holds barred nature of celebrity life in an internet dominated society.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn’t let her go.
Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City–as if to test the limits of her own safety–propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact–and about her own.
