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Geeky student Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. As the car changes, so does Arnie, whose newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie’s girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.
Christine is an ambitious 29-year-old news reporter, in Sarasota, FL, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want.
Follow actress Kate Lyn Sheil as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story, uncovering new clues and information, she becomes increasingly obsessed with her subject.
Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.
The courageous young midwife Christine makes a pact with the devil to save her village from the brutal terror of the Teutonic Knights. Punished by a spider plague, Christine goes from savior to hunted.
Twelve-year-old Binti was born in the Congo but has lived with her father Jovial in Belgium since she was a baby. Despite not having any legal documents, Binti wants to live a normal life, and dreams of becoming a famous vlogger like her idol Tatyana. Elias (11) runs his ‘save-the-okapi-club’ without the help of his father, who’s moved to Brazil following his divorce with Elias’s mother Christine. When their annoying neighbour invites Christine on a romantic trip to Paris, Elias, upset and angry, runs away to his treehouse. At the same time, police raid Binti and Jovial’s home, sending the two on the run, and Binti into the path of Elias. When their parents meet shortly after, Binti quickly sees the perfect solution to all her problems. If she can match her dad with Elias’ mom, they can get married and stay in Belgium.
After suffering a terrifying injury, Christine finds herself alone and stranded in a remote town harboring a dark secret. As she tries to recuperate, she slowly begins to discover intense, bizarre religious phenomena occurring around her. With no one to trust and her time running out, Christine realizes that she will have to fight her inner demons as well as the actual demons who are trying to take her soul in order to make it out alive.
The Mix is a dark comedy about Sal, the happy and hapless owner of a home grown cookie company. With his business riding a financial plateau and his loyal girlfriend Christine pushing for career and relationship growth, Sal and his business manager Tim place their hopes in the hands of the enigmatic Joshua Vandersteem. After the deal goes bad, Sal is forced into desperate action. Leaping narratively through time, The Mix tells the story about what happens when a good man makes one bad decision after another.
Deformed since birth, a bitter man known only as the Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the opera house and demanding Christine be given lead roles. Things get worse when Christine meets back up with her childhood acquaintance Raoul and the two fall in love
On December 28th, 1999, the citizens of New York City are getting ready for the turn of the millennium. However, the Devil decides to crash the party by coming to the city, inhabiting a man’s body, and searching for his chosen bride, a 20-year-old woman named Christine York. The world will end, and the only hope lies within an atheist called Jericho Cane.
After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she’s been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.
The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter (Julie Walters) as the down-at-heel waitress who, with the help of prostitute Shirley (Shirley Stelfox) and cross-dressing Wing Commander Morten (Alec McCowen), seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it’s fair to say that the presiding judge isn’t unfamiliar with her work.
A grotesquely disfigured composer known as “The Phantom” haunts Paris’ opera house, where he’s secretly grooming Christine Daae to be an opera diva. Luring her to his remote underground lair, The Phantom declares his love. But Christine loves Raoul de Chagny and plans to elope with him. When The Phantom learns this, he abducts Christine.
Christine (Jennifer Holland) and Reagan (Kate Plec) are a pair of young women who get to know each other when they end up sharing a dorm room in college. Christine is a studious type who is still getting over a family tragedy, while Reagan never lets her classes get in the way of a good time. Convinced Christine needs to get out more, Reagan persuades her to tag along as she attends a wild party at the Beta Alpha Tau sorority house. Both Christine and Reagan are impressed with the BAT house, and in particular, chapter president Devin (Michelle Borth), and they are soon invited to join. However, Ms. Masters (Barbara Crampton), who teaches a class on the paranormal, believes that the BAT house is the center of supernatural activity on campus, and urges Christine to inform her of the goings-on at the house. It isn’t long before Christine finds out that Ms. Masters’ fears were based in fact, but can she tear herself away from the decadent pleasures sorority life has brought to her?
Christine Collins is overjoyed when her kidnapped son is brought back home. But when Christine suspects that the boy returned to her isn’t her child, the police captain has her committed to an asylum.
Set 10 years later, the Phantom has escaped from Paris to New York where he lives amongst the joyrides and freak shows of Coney Island. He has finally found a place for his music to soar, all that is missing is his love Christine Daaé. In a bid to win back her love, the Phantom lures Christine, her husband Raoul, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island… they have no idea what lies in store for them… You truly haven’t experienced Andrew Lloyd Webber’s Love Never Dies until you see this spectacular new Australian production, filmed at Melbourne’s iconic Regent Theatre.
Christine gets her big chance at modelling when she applies at Sybil Waite’s agency. Together with Christine’s sister Betty they go to a castle for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modelling: she is recruiting a virgin for induction into a witch’s coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.
Although she loves Christmas, Santa’s elf Christine (Summer Glau) wonders if there could be more to life than making toys in the North Pole. When Santa receives an emergency wish from a little boy in Los Angeles, he puts Christine on a special assignment, sending her to L.A. to give the VanCamp family—mom Sara (Eva La Rue), dad Scott (Dan Gauthier), and their two kids Ally (Izabela Vidovic) and Will (Mason Cook)—a holiday wake-up call. Will Christine fail her assignment and be sent back to the North Pole for good, or will the VanCamps come to their senses about the meaning of Christmas?
Private-school student Christine loves Jim. But her classmate, Jordan, is also vying for Jim’s attention and trying to end his relationship with Christine. Meanwhile, Jim’s friend Bubba embarks on a series of sexual escapades, including dressing up as a woman to access the girls’ locker room. Despite Jim and Christine’s efforts to spend some time alone, various shenanigans and schemes interfere.
When Amy has nowhere to go for winter break, her friend Christine insists she come stay with her family. What begins as a dream situation turns into a nightmare when Amy starts to obsess and wreak havoc on her welcoming hosts. Stars Beth Littleford, Kate Mansi.
Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world.
Christine and her husband Barry have bought an old fixer upper in a small town, using her recent inheritance, believing that fixing it up and a fresh start, will help her recover from a near nervous breakdown. Christine has invited her sister Lisa to move in with them unaware that she is having an affair with husband Barry. Barry, a police detective, only stays with Christine for her money and is looking a way to rid himself permanently of her. Lisa flirts with Barry under Christine?s nose delighting in the thrill of the possibility of being discovered. They find a secret room in the basement laundry with a heavy, titanium door with a cross and mystical writings, locked by an intricate mechanism. They joke about it but only as a way of coping with the mounting fear that it hides something horrible.
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.
A young couple, Kaia and Andrew, are renovating Kaia’s secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia’s sister, Christine, and her fiancé, Ira.
In 1986 Michael Morton’s wife Christine is brutally murdered in front of their only child, and Michael is convicted of the crime. Locked away in Texas prisons for a quarter century, he has years to ponder questions of justice and innocence, truth and fate. Though he is virtually invisible to society, a team of dedicated attorneys spends years fighting for the right to test DNA evidence found at the murder scene. Their discoveries ultimately reveal that the price of a wrongful conviction goes well beyond one man’s loss of freedom.
Journalist Christine Pelisek helps law enforcement investigate the alleged serial killer known as the Grim Sleeper.
On the beach one night, Christine Faber, two years a widow, thinks she hears her late husband Paul calling out of the surf…then meets a tall dark man, Alexis, who seems to know all about such things. After more ghostly manifestations, Christine and younger sister Janet become enmeshed in the eerie artifices of Alexis; but he in turn finds himself manipulated into deeper deviltry than he had in mind…
This raunchy, girl-powered comedy follows the journey of Christine and her best friends, three ladies on a quest to defeat their biological clocks and have a baby. Trying everything from anonymous donation, ex-boyfriends, adoption to audacious seduction… No stone is left unturned as these women will do absolutely anything to get pregnant and show Mother Nature who is boss!
Prosperous professional couple Mike and Christine are settling in for a standard evening of wine, TV and low-level marital hostility when a ring on their doorbell changes everything. Turns out their son Sebastian is in a little trouble with some local boys, who are quite prepared to camp out and wait for him to get home … the resulting culture-clash chamber drama is raw, revealing and nerve-splittingly tense.
