Explore the vision behind the iconic American jazz record label. Since 1939, Blue Note artists have been encouraged to push creative boundaries in search of uncompromising expressions. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate.

Blue Pullman is a 1960 short documentary film directed by James Ritchie, which follows the development, preparation and a journey from Manchester to London on new British Railways Blue Pullman units. As with earlier British Transport Films, many of the personnel, scientists, engineers, crew and passengers were featured in the 20 minute film. It won several awards, including the Technical & Industrial Information section of the Festival for Films for Television in 1961. The film is also particularly noted for its score, by Clifton Parker, which, unlike the earlier Elizabethan Express is uninterrupted by any commentary.

Hugo Winter, a roguish American drug smuggler, travels to Uganda in an attempt to export a large amount of Bulu, a sacred herb that grants the user visions of their future. Upon arriving in Kampala, he soon discovers that his only means of achieving this is through two sisters with competing agendas, born-again Kisakye and rebellious Angela, who come from the remote village of Makaana where the Bulu is grown. As they lead Hugo deeper into the jungle and further into their web of deceit, it is unclear if his drug-addled prophecies are helping his quest or clouding his future.

This ensemble comedy follows the Pullham University Bluecocks, a small liberal arts college with a Division III football program (the lowest division in the NCAA). When the head coach unexpectedly dies, the future of the flailing football program is in jeopardy, as they have not had a winning season in decades. In a desperate attempt to create some media attention for the athletic program and the university, President Georgia Anne Whistler hires known lunatic and felon, Coach Rick Vice, for what could be the football programs final season.

Three man act Plastic Cup Boyz, Joey Wells, Will “Spank” Horton and Na’im Lynn, taped their debut special at The House of Blues in San Diego. In front of a live audience, the trio covers topics including reality television, women’s eyebrows, and looking like a cat clock.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Hercules comes to the aid of a young woman who is seeking the lost city of Troy. Eventually, Hercules leads her to a camp of refugees from the city, which has been taken over by Hera’s Blue Priests. Hercules helps the refugees take back the city. “Hercules and the Lost Kingdom” is the second movie-length pilot episode of the television series “Hercules: The Legendary Journeys”.

This documentary captures Elvis Presley on his 1972 American tour and includes rehearsals, interviews, archival television appearances and backstage moments. With Elvis at his most flamboyant, the film features well-known hits and cover songs showcasing his country, gospel and rhythm-and-blues influences.

St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines. St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox wound up acquiring the rights to the series when it bought MTM Enterprises in the 1990s.

Known for its combination of gritty, realistic drama and moments of black comedy, St. Elsewhere gained a small yet loyal following over its 6-season, 137-episode run; the series also found a strong audience in Nielsen’s 18-49 age demographic, a young demo later known for a young, affluent audience that TV advertisers are eager to reach. The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked #20 on TV Guide’s 2002 list of “The 50 Greatest TV Shows of All Time.”, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue.

A docu-film that traces the victorious ride of Mancini’s Azzurri, from the debut match to the final against England. A troupe lived with the Azzurri for a month, to bring the spectators into the lives of the players and all the members of the staff, between training sessions, matches, travels and celebrations. An adventure told through the voices of the protagonists, who confided dreams, joys, pains and hopes to the cameras. “Blue Dream, the road to Wembley” is the completion of a project started a year ago together with the FIGC, to tell the national team’s approach to the European Championships through the 4 episodes aired in the days immediately preceding the European Championship, bringing the new television language of the docu-series to one of the most important time slots of the first generalist network. “Blue Dream, the road to Wembley” is a project of the New Formats Development Department

CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho – Barney’s hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.

When Lynyrd Skynyrd emerged onto the world stage in 1973, it was the result of a collective determination; the group had struggled and fought to gain real recognition ever since their formation eight years before. And although they were initially identified, both in the music industry and in the media, as just another act in the then booming Southern Rock movement, it became quickly apparent that not only were Skynyrd a distinctly individual collective, but also they had the potential to become one of the finest rock bands in history. Led by the headstrong and domineering Ronnie Van Zant, a tough, blue collar brawler with a powerful stage presence, distinctive vocals and gritty, honest lyrics, his energy and vision propelled the group until its tragic end in 1977. This films tells the story of the rise and fall of a remarkable band.