After their mother’s death, Oskar leans on brother Karl. But Karl’s bakery faces court due to their father’s debt. United, can they save it?

Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she’s with her children only every other weekend. It’s her weekend, but her agent has booked her to MC a Rotary club dinner in Vichy. She takes them with her, and when her husband learns this, he demands to pick them up at once. She bolts in a rented car to the seaside, trying to improve her relations with the children, especially the precocious and distant Vincent. He loves astronomy. A rare meteor shower is due in a few days, so she suggests they go to a plateau in Spain hoping to see it. He agrees, but the relationship remains difficult, and her husband is on their trail.

In a distant future, a mysterious boy becomes the central figure in the search for a new hope. Who is this kid? Why is everyone looking for it? Sometimes it is better not to know certain answers…

Family is an institution. Sometimes, you gotta break out. This is the story of how 17-year-old Candy finds the courage to walk away from everything she’s ever known with the hope of discovering a better tomorrow.

Both leads give performances that go beyond their usual range in a satire that’s sometimes diverting but ultimately toothless. Entertainment veteran Shirley Yung, who directs, should know better

Pim lives in a run-down house in a dead-end street somewhere on the Flanders coast, together with his mother Yvette Bulteel. Life here smells of cold French fries, cheap cigarettes, vermouth and stale beer. Mother Yvette uses her friend Etienne, with his lousy grey Fiat, as a driver for the nights she has to “perform”. As a kid Pim dreams of a better life, imagining princesses and beauty queens. But when Pim turns 16 he dreams of Gino, the handsome boy next door, instead. Ever since they were children there has been this tension between them. Now Gino is Pim’s motorcycling hero. Cold mockery, little humiliations and tiny bits of hope make up Pim’s life. No wonder he sometimes flees to his dream world.

Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.

Set in Hawaii, All For Melissa is a touching, beautiful feature film that tells the story of a young man’s coming to grips with the reality of his everyday life. It shows that even though you may not get the girl of your dreams, the movie star fantasy; sometimes the girl next door, your best friend, is better than any dream girl ever could be. What sets All For Melissa apart from other films of this genre is the role the landscape, culture, and spirit of the Hawaii plays in the film. This is a love letter to Hawaii, a big aloha, and mahalo to the land and the people of this state.

Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.

Louis Creed, his wife Rachel and their two children Gage and Ellie move to a rural home where they are welcomed and enlightened about the eerie ‘Pet Sematary’ located nearby. After the tragedy of their cat being killed by a truck, Louis resorts to burying it in the mysterious pet cemetery, which is definitely not as it seems, as it proves to the Creeds that sometimes dead is better.