A former U. S. diplomat returns to service in order to save a former colleague in Beirut.

Which part of a sheep is tastiest? What’s so funny about funerals? A Lebanese comic answers your burning questions!

Marion and Ben, thirty years old, meet on Tinder. That’s about all they have in common; but the opposites attract each other, and they decide in the early morning of their meeting to go on vacation together despite the advice of their entourage. They will finally leave – to Bulgaria, halfway to their dream destinations: Beirut for Marion, Biarritz for Ben. Without a precise plan and, as they will soon discover, with very different conceptions of what a dream holiday should be.

Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.

Beirut resident Soraya is drawn to two men: daredevil photographer Nabil and Talal, who must embrace his feudal heritage when his father is kidnapped.

“1982” is a life-affirming coming-of-age tale set at an idyllic school in Lebanon’s mountains on the eve of a looming invasion. It unfolds over a single day and follows an 11-year-old boy’s relentless quest to profess his love to a girl in his class. As the invasion encroaches on Beirut, it upends the day, threatening the entire country and its cohesion. Within the microcosm of the school, the film draws a harrowing portrait of a society torn between its desire for love and peace and the ideological schisms unraveling its seams. In his debut feature, director Oualid Mouaness delivers an ode to innocence in which he revisits one of the most cataclysmic moments in Lebanon’s history through the lens of a child and his vibrant imagination. The film demonstrates the complexities of love and war, and the resilience of the human spirit.

Beirut, Lebanon 2017. As the country trembles a man decides to attempt to break the world record of depth in deep diving.

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut’s “belt of misery,” the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.

Beirut, 1982: a young Palestinian refugee and an Israeli fighter pilot form a tentative bond in their attempt to make their way across war-torn Lebanon back to their home.

In January 1963, British journalist Leo Cauffield suddenly disappears from his home in Beirut. His wife Sally knew that he was working part-time for British intelligence, but was not prepared to be told by the British embassy that they suspect he has defected to Communist Russia. As his wife puts together the pieces of the mysterious jigsaw of the past, tracking her passionate relationship with her husband and his history as former head of MI6’s counter-espionage section, her relentless search for the truth takes her to London, New York and finally Moscow.

In the fifties, young Alice leaves her natal Swiss mountains for the sunny and vibrant shores of Beirut. She falls madly in love with Joseph, a quirky astrophysicist intent on sending the first Lebanese national into space. Alice quickly fits in among his relatives, but after years of bliss, the civil war threatens their Garden of Eden.

In Beirut 1986, during the Lebanese civil war a Korean diplomat is taken hostage without a trace. Two years pass and long forgotten, a young diplomat Min-jun receives a phone call proving that the hostage is still alive. With the given mission, Min-jun is sent to Beirut to save the hostage with a bag of ransom money.

True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.

Members of a family who quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.

A 707 aircraft jetliner on its way from Athens to Rome and then to New York City is hijacked by Lebanese terrorists. The terrorists demand that the pilot take them to Beirut. What the terrorists don’t realize is that an elite team of commandoes led by Major McCoy (Norris) and by Colonel Alexander (Marvin) has been called into service to eliminate all terrorists on the jetliner.

Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.

In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.

Zain, a 12-year-old boy scrambling to survive on the streets of Beirut, sues his parents for having brought him into such an unjust world, where being a refugee with no documents means that your rights can easily be denied.